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鉴赏[优质文档]
A Brief Analysis Of The Wild Honey Suckle
It was written by Freneau in 1786. He is the first American-born poet, and was one of the earliest who cast their eyes over the natural surroundings of the New Continent and American subject matter.
Honey suckle, instead of rose or daffodil became the object of
depiction; it is “wild” just to convey the fresh perception of the natural scenes on the new continent. The flowers, similar to the early Puritan settlers, used to believe they were the selects of God to be arranged on the abundant land, but now have to wake up from that fantasy and be more respectful to natural law. Time is constant but the time of a life is short; any favor is relative but change is absolute; with or without the awareness, nature develops: flowers were born, bloomed and declined to repose, and human beings would exist in exactly the same way. A philosophical meditation is indicated by the description of the fate of a trivial wild plant. In this poem, the poet writes with the strong implication that, though in the work no one is presented in person, human beings may at times envy the flower. This is seen not because the "roving foot" would "crush"; nor that the "busy hand" would "provoke a tear”; nor because of the "vulgar eye”, but because of the fact that the human being has the ability to foresee his death. Whereas, the flower, with its happy
ignorance, lacks this consciousness and is completely unaware of its doom. Its innocence left it happier than the foreseeing human beings. Unfortunately, the human beings are quite unwilling to refuse this knowledge and that arouses all their sufferings.
1: the poem treats the advantages as well as the disadvantages of the flower's modest retirement—it is designed with beauty and well
protected in solitude; whereas its beauty might be admired by few.
2: it suggests that the honey suckle bears a special relationship with nature which has advised it to keep away from the "vulgar eye"; Nature has designed it in white--a color of simplicity and purity, and, it has sent the soft waters flowing gently by. However, in spite of all the nature's kindness, the flower cannot escape its doom. The best time of its life is fading, for death is waiting.
3: it reveals the indifference of nature—the "unpitying frosts” are
as much a part of nature as the "soft waters". Thus, the notion that nature has provided a "guardian shade" for the protection of the honey suckle is a sentimental fancy. It is relative, but death is absolute.
4: the poet sees his fate mirrored in that of the flower. Human beings, as any other creatures or flowers, are a part of nature. They originated from nature and will surely return to nature some day,
thus their reduction to nature in the day ahead will constitute no real
loss.