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Henry V.pdf (Cliffs Notes English 原典英语小说学习笔记) www.cliffs.com Cliffs Notes on Henry V © 1981 1 HENRY V Notes including • Life and Background of Playwright • Introduction to the Play • A Brief Synopsis • List of Characters • Critical Commentaries • Critical Essays • Essay Topics and Review Q...

Henry V.pdf (Cliffs Notes English 原典英语小说学习笔记)
www.cliffs.com Cliffs Notes on Henry V © 1981 1 HENRY V Notes including • Life and Background of Playwright • Introduction to the Play • A Brief Synopsis • List of Characters • Critical Commentaries • Critical Essays • Essay Topics and Review Questions • General Shakespeare Bibliography • Selected Henry V Bibliography by Jeffery Fisher, M.F.A. University of Tennessee LINCOLN, NEBRASKA 68501 1-800-228-4078 www.CLIFFS.com ISBN 0-8220-7092-8 © Copyright 1981 by Cliffs Notes, Inc. All Rights Reserved www.cliffs.com Cliffs Notes on Henry V © 1981 2 LIFE AND BACKGROUND OF PLAYWRIGHT Many books have assembled facts, reasonable suppositions, traditions, and speculations concerning the life and career of William Shakespeare. Taken as a whole, these materials give a rather comprehensive picture of England's foremost dramatic poet. Tradition and sober supposition are not necessarily false because they lack proved bases for their existence. It is important, however, that persons interested in Shakespeare should distinguish between facts and beliefs about his life. From one point of view, modern scholars are fortunate to know as much as they do about a man of middle-class origin who left a small English country town and embarked on a professional career in sixteenth-century London. From another point of view, they know surprisingly little about the writer who has continued to influence the English language and its drama and poetry for more than three hundred years. Sparse and scattered as these facts of his life are, they are sufficient to prove that a man from Stratford by the name of William Shakespeare wrote the major portion of the thirty-seven plays which scholars ascribe to him. The concise review which follows will concern itself with some of these records. No one knows the exact date of William Shakespeare's birth. His baptism occurred on Wednesday, April 26, 1564. His father was John Shakespeare, tanner, glover, dealer in grain, and town official of Stratford; his mother, Mary, was the daughter of Robert Arden, a prosperous gentleman-farmer. The Shakespeares lived on Henley Street. Under a bond dated November 28, 1582, William Shakespeare and Anne Hathaway entered into a marriage contract. The baptism of their eldest child, Susanna, took place in Stratford in May 1583. One year and nine months later their twins, Hamnet and Judith, were christened in the same church. The parents named them for the poet's friends Hamnet and Judith Sadler. Early in 1596, William Shakespeare, in his father's name, applied to the College of Heralds for a coat of arms. Although positive proof is lacking, there is reason to believe that the Heralds granted this request, for in 1599, Shakespeare again made application for the right to quarter his coat of arms with that of his mother. Entitled to her father's coat of arms, Mary had lost this privilege when she married John Shakespeare before he held the official status of gentleman. In May of 1597, Shakespeare purchased New Place, the outstanding residential property in Stratford at that time. Since John Shakespeare had suffered financial reverses prior to this date, William must have achieved success for himself. Court records show that in 1601 or 1602, William Shakespeare began rooming in the household of Christopher Mountjoy in London. Subsequent disputes between Shakespeare's landlord, Mountjoy, and his son-in-law, Stephen Belott, over Stephen's wedding settlement led to a series of legal actions, and in 1612, the court scribe recorded Shakespeare's deposition of testimony relating to the case. In July 1605, William Shakespeare paid four hundred and forty pounds for the lease of a large portion of the tithes on certain real estate in and near Stratford. This was an arrangement whereby Shakespeare purchased half the annual tithes, or taxes, on certain agricultural products from sections of land in and near Stratford. In addition to receiving approximately ten percent income on his investment, he almost doubled his capital. This was possibly the most important and successful investment of his lifetime, and it paid a steady income for many years. Shakespeare is next mentioned when John Combe, a resident of Stratford, died on July 12, 1614. To his friend, Combe bequeathed the sum of five pounds. These records and similar ones are important, not www.cliffs.com Cliffs Notes on Henry V © 1981 3 because of their economic significance but because they prove the existence of a William Shakespeare in Stratford and in London during this period. On March 25, 1616, William Shakespeare revised his last will and testament. He died on April 23 of the same year. His body lies within the chancel and before the altar of the Stratford church. A rather wry inscription is carved upon his tombstone: Good Friend, for Jesus' sake, forbear To dig the dust enclosed here; Blest be the man that spares these stones And curst be he that moves my bones. The last direct descendant of William Shakespeare was his granddaughter, Elizabeth Hall, who died in 1670. These are the most outstanding facts about Shakespeare the man, as apart from those about the dramatist and poet. Such pieces of information, scattered from 1564 through 1616, declare the existence of such a person, not as a writer or actor, but as a private citizen. It is illogical to think that anyone would or could have fabricated these details for the purpose of deceiving later generations. In similar fashion, the evidence establishing William Shakespeare as the foremost playwright of his day is positive and persuasive. Robert Greene's Groatsworth of Wit, in which he attacked Shakespeare, a mere actor, for presuming to write plays in competition with Greene and his fellow playwrights, was entered in the Stationers' Register on September 20, 1592. In 1594, Shakespeare acted before Queen Elizabeth, and in 1594 and 1595, his name appeared as one of the shareholders of the Lord Chamberlain's Company. Francis Meres in his Palladis Tamia (1598) called Shakespeare "mellifluous and hony-tongued" and compared his comedies and tragedies with those of Plautus and Seneca in excellence. Shakespeare's continued association with Burbage's company is equally definite. His name appears as one of the owners of the Globe in 1599. On May 19, 1603, he and his fellow actors received a patent from James I designating them as the King's Men and making them Grooms of the Chamber. Late in 1608 or early in 1609, Shakespeare and his colleagues purchased the Blackfriars Theatre and began using it as their winter location when weather made production at the Globe inconvenient. Other specific allusions to Shakespeare, to his acting and his writing, occur in numerous places. Put together, they form irrefutable testimony that William Shakespeare of Stratford and London was the leader among Elizabethan playwrights. One of the most impressive of all proofs of Shakespeare's authorship of his plays is the First Folio of 1623, with the dedicatory verse which appeared in it. John Heminge and Henry Condell, members of Shakespeare's own company, stated that they collected and issued the plays as a memorial to their fellow actor. Many contemporary poets contributed eulogies to Shakespeare; one of the best known of these poems is by Ben Jonson, a fellow actor and, later, a friendly rival. Jonson also criticized Shakespeare's dramatic work in Timber or, Discoveries (1641). Certainly there are many things about Shakespeare's genius and career which the most diligent scholars do not know and cannot explain, but the facts which do exist are sufficient to establish Shakespeare's identity as a man and his authorship of the thirty-seven plays which reputable critics acknowledge to be his. www.cliffs.com Cliffs Notes on Henry V © 1981 4 INTRODUCTION TO THE PLAY Since Henry V is the last play of Shakespeare's tetralogy, the earlier three plays shed some light upon the present play. The Elizabethan audiences which Shakespeare was writing for would have known these earlier plays and, of course, they would have been familiar with many of the characters in this play. Therefore, since Henry V is the play which shows King Henry V as the ideal Christian monarch, the earlier plays leading up to this figure of perfection are enlightening. For example, when Henry prays just before the Battle of Agincourt, he says: Not to-day, O Lord, O, not to-day, think not upon the fault My father made in compassing the crown. (IV.i.310-12) He is referring to the manner in which his father, Henry IV, became king. The fault referred to is the deposition and murder of Richard II, a theme which runs throughout all of the plays in this tetralogy. Henry V, therefore, is the Christian king who wears a crown gotten by questionable means. Furthermore, characters like Bardolph and Pistol and Hostess Quickly had appeared in some of these earlier plays, and there are many references to the famous Sir John Falstaff, one of Shakespeare's greatest comic creations. Therefore, a brief knowledge of the earlier plays will clearly enhance the reading, enjoyment, and understanding of Henry V. RICHARD II (Synopsis) The play opens with a dispute between Henry Bolingbroke, Duke of Hereford, and Thomas Mowbray, Duke of Norfolk. Bolingbroke has accused Mowbray of treason, and the two of them exchange insults in the presence of King Richard. After attempts to reconcile them fail, Richard orders them to take part in a traditional chivalric trial by combat. On the field of combat, the king changes his mind and banishes the two men--Bolingbroke for ten years (commuted to six) and Mowbray for life. Then the king makes plans to leave for the wars in Ireland. Before departing, Richard visits the ailing father of Bolingbroke, John of Gaunt, Duke of Lancaster. Gaunt warns Richard with his dying words that he is flirting with danger and doing great harm to the country by allowing himself to be influenced by his sycophantic courtiers. When the old man dies, Richard takes possession of all of Gaunt's wealth and sets out for Ireland. Unhappy with Richard's incompetence as a ruler and worried by his seizure of the Duke of Lancaster's wealth, a number of nobles rally support for Henry Bolingbroke. When Bolingbroke and his army decide to return from exile in France, the rebel forces prepare to confront Richard on his return from Ireland. The rebel noblemen force the king to abdicate, and Bolingbroke is crowned as Henry IV. Richard is imprisoned in Pomfret Castle, where he faces his death alone, philosophically contemplating the meaning of his fall from grandeur. Sir Pierce of Exton decides solely on his own to execute the deposed king; as a result, he is banished by King Henry. The play ends with Henry IV planning a penitential pilgrimage to the Holy Land. HENRY IV, PART I (Synopsis) When the play opens, King Henry has called the Percies--Northumberland, Worcester, and Hotspur--to the palace. He demands to know why the ranking Scottish prisoners taken by Hotspur have not been turned over to him. The Percies are furious with Henry's seeming arrogance; they deeply resent the fact that this man whom they helped to the throne should demand absolute obedience from them. Thus, they www.cliffs.com Cliffs Notes on Henry V © 1981 5 begin to plot their revolt. Meanwhile, in the comic subplot, Prince Hal and his boon companions make plans to rob a group of travelers in order to play a practical joke on their beloved, blustering cohort, Sir John Falstaff. The joke almost backfires, but Falstaff manages to barely escape, and back at the tavern, he emerges triumphantly as the comic hero of the escapade. The merrymaking is interrupted, however, when Prince Hal is called back to court on urgent business. Hotspur's threats are serious; meeting with Worcester, Mortimer, and Glendower at the residence of the Archdeacon in North Wales, the men plan a campaign against the royal forces; afterward, they plan to divide England into three parts. Momentarily, Hotspur is dejected that he cannot count on Northumberland's troops, but he reasons that perhaps the populace will be even more impressed when they realize that Hotspur accomplished his coup without Northumberland's help. When he learns that Henry's royal army has set forth for battle, Hotspur is again worried--this time about the news that Prince Hal accompanies his father's troops as second in command. But deciding that his victory will seem even more miraculous if he can dispose of Hal personally, Hotspur vows to kill Hal himself, and his ardor and impetuosity is rekindled. When the plot returns to the comic characters, Falstaff is arrayed as a military commander, leading a group of pitiful, physically unfit "soldiers" who vow they will fight for England. Both Prince Hal and Westmoreland remark on the company's unfitness, but they decide to let them continue to march. In the meantime, the Archbishop of York is alarmed to learn of the Percies' plot and about the fact that neither Mortimer nor Northumberland will be accompanying Hotspur's men; he fears reprisal from King Henry if Hotspur is defeated. In parley at the king's camp at Shrewsbury with two of Hotspur's allies, Worcester and Vernon, Prince Hal speaks words of praise for Hotspur, modestly concedes that he himself has been derelict, and offers to fight his rival in single combat, in place of an all-out battle between the two opposing forces. The two rebel leaders depart, ostensibly to report to Hotspur what has been said by the king and the prince. Hotspur impatiently decides to engage in total combat. During the course of the battle, most of Falstaff's men are killed; Hal heroically rescues his father from the sword of Douglas, a Scottish earl; and he slays his rival, Hotspur. Worcester and Vernon are captured and later put to death, but Douglas is released by a generous Prince Hal. The rebel forces have been badly defeated, and King Henry sends another of his sons, John of Lancaster, to the North, where John will oppose Northumberland and Archbishop Scroop; Henry himself will leave with Prince Hal to fight the forces led by Glendower and Mortimer. HENRY IV, PART II (Synopsis) When Part I closed, Henry IV was dispatching his son John of Lancaster to the north to fight Northumberland and Archbishop Scroop; this play now opens with Northumberland receiving conflicting news about the results of the Battle of Shrewsbury. When he hears of the defeat and death of his son Hotspur, he flees to Scotland to await further developments. Meanwhile, Falstaff becomes involved with Mistress Quickly, and he uses his royal commission to avoid being imprisoned for debt. He continues his riotous feasting and drinking and joking with Prince Hal. Prince Hal, however, while tolerating the unrestrained behavior of Falstaff, nevertheless shows some concern for his royal father and for the affairs of the realm. Since the prince has already shown his valor and honor at the Battle of Shrewsbury, we are now more receptive to his comic behavior with Falstaff, as he once more endorses the precept that life should have its lighter moments--as we will see in Henry V, when King Henry plays a practical joke on Williams, a common soldier. www.cliffs.com Cliffs Notes on Henry V © 1981 6 Meanwhile, Prince John moves against the rebel forces and is able to subdue them and arrest the leaders for high treason. This news, however, does not gladden the dying King Henry IV because his main concern is with the conduct of Prince Hal, who at this moment is dining with Poins and other lowly associates. Henry ponders the fate of England when Prince Hal becomes king, and he hopes, above all, for unity among his sons. Prince Hal is defended by the Earl of Warwick, who argues that the prince is schooling himself to understand even the lowliest subject, and he predicts that Prince Hal will turn "past evils to advantage." Prince Hal enters at this point and learns that his father is gravely ill. Everyone leaves except the heir- apparent, who says that he will keep watch at his father's bedside. Observing his father's crown, he philosophizes about it as a symbol of care and anxiety. Noticing his father in a stupor, he concludes that he is dead, and he lifts the crown and places it on his head, reflecting still further about the responsibilities that the crown encompasses. After he leaves the room, the king awakens, sees the crown on his son's head, and immediately assumes that Prince Hal is anxious to see him dead. In a touching speech, he speaks to Prince Hal and reproves him for being impatient to wear the crown; he accuses the prince of having no love for his father and laments that the prince's years of unruly behavior have culminated in such a conclusion. Prince Hal convincingly asserts his love and respect for his father; he says that he wishes him to live for a long time yet. Obviously affected by Prince Hal's love for him, the king admits that he came to the throne by "bypaths and crooked ways," and he implores God to forgive him for deposing an anointed ruler (Richard II). Prince Hal promises that he will defend the crown against all the world. For some time, everyone has expected total misrule and chaos when Prince Hal would finally become King Henry V. Especially concerned has been the Lord Chief Justice of England, who had, only a short time before, banished Falstaff and, upon the late king's order, briefly imprisoned the prince. Contrary to all expectations, Henry V approves of all of the actions of the Lord Chief Justice and bids him to continue to serve the crown in his present capacity. The new king then assures his brothers that his life of wild living ended with his father's death, and he is now a completely reformed prince. To the surprise of all present, the king begins to personify immense magnanimity and dedication to duty. It is to be recalled from the very beginning of the two-part chronicle history that Shakespeare has prepared the way for this important order and justice; at last, in Henry V, Henry becomes the ideal Christian ruler. With the ascension of Prince Hal to the throne, Falstaff immediately envisions all types of grand rewards for himself, and he also expects high honors for Hal's other comrades from the tavern. Expecting to reap extravagant benefits, Falstaff immediately leaves for the coronation. When Falstaff approaches the king, however, Henry orders the Lord Chief Justice to reprove the old fellow. Falstaff is incredulous and addresses Henry directly, calling "My King! My Jove! I speak to thee, my heart!" In chilling words, Henry answers, "I know thee not, old man." He then lectures Falstaff about his lifestyle, admonishing him to reform, and if amends are made, then Falstaff can return by slow degrees to the king's favor. Everyone is amazed, and all approve of Henry's actions. At the close of the play, we learn that Henry has called for the assembly of Parliament and that he will soon lead an invasion into France to claim it for England, as we will see in the first act of Henry V. www.cliffs.com Cliffs Notes on Henry V © 1981 7 A BRIEF SYNOPSIS As indicated at the close of Henry IV, Part II, King Henry V is planning on entering into a war with France over some disputed lands and titles. He has instructed the Archbishop to be sure that his claims are valid. When the play opens, the Archbishop explains to his Bishop how he plans to convince the king to enter into a war with France, thus protecting the church's property, which might otherwise be placed in the hands of the state rather than left in the church's control. After the king is convinced of the validity of his claims, an ambassador from France arrives with a rejection of the claims; he also delivers an insulting barrel of tennis balls fr
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