《欲望号街车》中幻想与现实的对立

河北工业大学毕业 论文 政研论文下载论文大学下载论文大学下载关于长拳的论文浙大论文封面下载 作者：苏丽丽学号：084363系：外语系专业：商务英语题目：《欲望号街车》中幻想与现实的对立IllusionversusRealityinAStreetcarNamedDesire指导者：杨海丽副教授评阅者：陆洋讲师2011年6月12日毕业论文中文摘要《欲望号街车》中幻想与现实的对立摘要：田纳西·威廉斯是美国当代最著名的剧作家之一，被公认为是第二次世界大战以来美国最优秀的戏剧大师。《欲望号街车》是他的最著名的剧作之一。在该剧作中，女主人公布兰奇出身贵族，有很好的教养。在爱人艾伦自杀后，她将艾伦的死归因于自己，深感愧疚。同时，家道中落，她的亲人相继去世。布兰奇开始变得颓废，和许多陌生男子交往，名声败坏。为了重新生活她投奔妹妹斯黛拉。但是妹夫斯坦利却非常粗暴。斯坦利的朋友米奇在追求布兰奇，但是斯坦利揭露了她的过去。布兰奇被米奇抛弃。而在酒精作用下的斯坦利乘机强暴了布兰奇。最终，布兰奇被逼疯并送至精神病院。本文从现实条件的塑造与毁灭这方面，来探讨布兰奇无法逃避幻想及其带来的人生痛苦，指出布兰奇是没落的南方文明的陪葬品，认为只有强大内心才能获得人生愉悦。关键词：布兰奇现实幻想强大内心 毕业论文外文摘要Title IllusionversusRealityinAStreetcarNamedDesireAbstractTennesseeWilliamsisoneofthemostfamouscontemporaryplaywrightsintheUnitedStates,whichisrecognizedasthebestplaywrightsincetheWorldWarII.AStreetcarNamedDesireisoneofhismostfamousplays.Intheplay,theheroineBlanchhasbeennoblyborn.AfterherloverAlan’ssuicide,sheattributesAlan'sdeathtoher,andfeelsdeeplysorryandashamed.Meanwhile，herfamilymemberspassawaywithherfamilyindecline.Shebecomesdecadent,andhasrelationswithmanystrangemengettingalustfulreputation.ShewantstotakerefugeinhersisterStella.Butherbrother-in-lawnamedStanleyisveryrough.Stanley'sfriendMickeyisafterBlanche,butStanleyrevealsherpast.ThenBlancheisabandoned.UndertheactionofalcoholStanleyhasrapedBlanche.FinallyBlanchbecomesmadandhasbeensenttoamentalhospital.ThispaperwilldiscusswhyBranchcannotescapefromtheillusionwhichproducesthepaininlife,andpointoutthatBranchcanberegardedasthevictimofthesoreheadsouthernplantationsculturefromtheshapinganddestructionofthereality,andbelievethatonlyastrongmindcangetthepleasureoflife.Keywords：BranchrealityillusionthestrongheartContents1Introduction 12TheShapingandDestructionofReality 32.1Blanche'sFamilyBackground 32.2Blancche'sMissingintheIllusion 43Blanche'sPersonality 43.1ABraveCoward 43.2AYieldRebel 53.3ADesperateFighter 64VentingthePainofLife 74.1TheDestructivePower 84.2TheShelterofIllusion 85SolutionstothePainfulOpposition 95.1TheCharacters’Solutions 95.2TheTurePleasureofLife 13Conclusion 14Bibliography 15Acknowledgements 171IntroductionTennesseeWilliams(1911–1983)isoneofthemostfamouscontemporaryplaywrightsintheUnitedStates,whichisrecognizedasthebestplaywrightsincetheWorldWarII.Hisplaysarenotonlyextremelyproductivebutalsoexcellent.Hisdramaticcareerhasbeenoverfiftyyearsfromthemid1930suntilhisdeathin1983,andsawthecreationofmanyplaysthatareregardedasclassicsoftheAmericanstage.Hisworksarewarmlypraised,aswellashotlydisputedinthecriticsseveraltimes.TennesseeWilliamsisborninachaoticfamily.Hedoesn’tliketoplaywiththeboys,andtheyjokehelikeasissy.HisgrandfatherwasapastorwhohasastudywhichbecomesTennesseeWilliams’shelter.Hisfatherisashoesalesman,shuttlingeverywhere.Whenhischildrengrowolder,hegetsmorehurledinsultsatthem;Hismotherisasouthernhighfamilyseed,butshehasakindofachokingforWilliams.WilliamshasasisterRose,andtheyhaveagoodrelation.Theybothhaveasimilarcharacter:sensitive,neurotic,easyinjury,andthesamehobby-art.RoseletWilliamstotrulyfeeltheloveandthecompassionandthecare.ButRose'sdestinyisverymiserablethatshesuffersfromschizophreniainheraftertwentyyearsoldandWilliams’motherunexpectedlysendshertogotothehospitalfortheresectionofthelobesofthebrain.Roseneverrecoverstoanormalbutlivesinaconvalescenthospitaloverthelonglife.ThefailureofRose’soperationtoWilliamsisagreatblow.Heneverforgiveshisparentsagreedtothesurgery.ManyoftheparanoidfemalecharactersappearintheplaysofWilliams,maybeinfluencedbytheRose.AStreetcarNamedDesire,oneofhismostfamousplays,hasawardedthePulitzerPrizefordrama.Inthispieceofwork,theheroineBlanchhasbeennoblybornasaneducatedyounglady.ShehasmarriedAllenatherageof16,andtheyloveeachother.ButshortlyafterthemarriageBlanchefindsthatAlanisagay.SinceBlancheshoutsoutataball,Alanissoashamedthatherunsoutsideandkillshimself.Blanchefeelsdeeplyguilty.AfterAlan’ssuicide,sheattributesAlan'sdeathtoher,andfeelsdeeplysorryandashamed.Meanwhile，herfamilymemberspassawaywithherfamilyindecline.Shebecomesdecadent,andhasrelationswithmanystrangemengettingalustfulreputation.Torestartherlife,shewantstotakerefugeinhersisterStella.Butherbrother-in-lawnamedStanleyisveryrough.Stanley'sfriendMickeyisafterBlanche,butStanleyrevealsherpast.ThenBlancheisabandoned.UndertheactionofalcoholStanleyhasrapedBlanche.FinallyBlanchbecomesmadandhasbeensenttoamentalhospital.Thispieceofworkcreatescomplexcharacters.Itnotonlytellsastory,butalsoexpressesastateofmindandaninnerwithsuppressedroarlikethecrazycrieswithpainandsuffers.Blanchisafragilewoman.Sheescapesfromherrealityandindulgesinfantasy.Sheconstructsthefantasyworldwithanexpensivecost.Sheenduredallthepaintoresistreality.Howcanyousaysuchatraitorisnotbraveenough?Blanchearedressedupevenifherheart.Allherliesareinordertoprovetheexistenceofherfantasyworld.Inotherwords,shesincerelybuildsamirage.Butthefloodoftherealitywashesitawayeventually.Branchisapoorwomanresistingtherealityandflatteringtherealityanddestroyedbythereality.Thisdelicateandmovingworkmakespeoplefeelcharacters’heart.ThecollisionbetweendelicatefeelingsandbrutalrealitymeansBlanche'stragicfate.Thispaperbelievesthateachperson'sheartislonelyandfragile.Onlyturnstoourselves,buildsastrongheart,andgracestoothers,canwegetthetruepleasureoflife.2TheShapingandDestructionofRealityTheauthorthinksthattheshapinganddestructionfromrealityisimportant.Blancheshouldbeplacedinherlivingenvironmenttocognizeandtojudge.2.1Blanche’sFamilyBackgroundBranchisborninadecliningnoblefamilyinSouthAmerica.TheCivilwarunfortunatelyengulfssouthlandfailureandshatterstheoldmanormodeoflife.Slaveownerslosttheirheaven,andfallsintoaprofoundloneliness,onlyleavesadignityandfragile.Alsoaneffetefeelinghangsoverthesoutherners’soul.Buttheslaveryplantationeconomysystemthattheirplantationsoflandsrelyonislikethecollapseoftheicegraduallymelted.Bigindustrialmountainsofincomparablestrengthgetthevictory.Thecultureofoldsouthernplantationsandthe“progress”industrialcultureconflictbetweentheoverpowering.Blancheisanelegantnoblelady,whoacceptsaristocraticeducationsinceherchildhood.Shehasasuccesswiththeproudmannerasanoblelady.Thatshouldbesomemissingglory.Sheregardsitasabeliefwithneverdoubt,alsosheisunabletodoubt.Whenthebackgroundsuddenlygoesdown,shebecomesdevastating.Asanidealist,shenevergivesupherfaith,butshehastocompromiseinordertosurvive.“Ihavenowaytosupportmyself”,sheconfidedtoStella.Therealityshapesherdefiancetothelifeofthebottomclass,buttherealitypushesherintoaterribleworldofthebottomclassasthrowingalambintothewolves.WhenBlanchefirstmeetsStanley,sheisjitteredandcareful.BehindofBlanche’stragedyisthechangeofthereality,andBlancheisthefuneralobjectsofthesoreheadsouthernplantationsculture.2.2Blanche’sMissingintheIllusionInAStreetcarNamedDesire,therearemanyexampleswherethecharactersareusingillusionsinanattempttoescapereality.Thebestexampleisfoundbylookingtothemaincharacter.BlancheDuboiswasatroubledwomanwhothroughouttheplaylivesherlifeinillusions.Whatinitiallyleadstoherillusionsislove.ShemetAllanGrey,ashersistersaysthatsheloveshimcompletely.TheygetmarriedandBlanchearefallingmoreandmoreinlove.UntilthedayshefindsthatAllanGreyisgay,butAllanbelievesthatifthereisanyonewhowouldhelphimmakesitthroughthiswholeordeal,itwouldbeBlanche.HoweverBlanchecouldn'treallybelievethathewaswithherandwasforreal.Blancheletitslipwhiletheyweredancingthat“Isaw!Iknow!Youdisgustme...”Withthis,Allanrunsoutsideandkillshimself.Becauseofallthis,Blanchefellintoanotherillusion.Shefiguresthatifshewerelovedagain,thenshecouldbehappyagain.Sheescapesfromrealityandresiststhereality.Shehasbeenlookingforherlostdreamagainandagain.Herfantasyishertoolandrefugebothforescapingandresistingthereality.However,thefantasycan’tredeemher,andshehasbeendestroyedbythereality.3Blanche'sPersonalityWecanlearnfromtheabovethatweareshapedbyourenvironment.Whenanenvironmentchanges,howcanwedo?Shallweinsistonourownbeliefsorshouldwechangeourselves?Whenthetimeschange,therearealwaysthosesacrificialobjectsforculture,andthoseonesusuallyaredestined.TheyinsistontheirfaithtostrugglewithpainasBlanchewouldbeultimatelydestroyed.3.1ABraveCowardSomanydesiresrunintoourlivesfornoreason.Inmanycases,thedesireisnotanoption,butthedesireusuallychoosesus.Whomakestheunfortunatedislocatedinreality?Weshallbetolerantandsympathy.Also,weshouldgivemoreunderstandings,morewarmthhumanityandmoreflexibleethicalstandardstothoseseekself-salvationbyevading.AsforthedesperationofBlanche,Weshouldgivetheunderstandingandsalvation,notdestruction.Blanche'sillusionsarefromherdesire.Itisthatthedesirecan’tbesatisfiedextremelycausestheoppositeextremelybetweenrealityandillusion.Thereisnothingtheoppositioncanproducebutpain.Blanchecannotavoidsuffering;shehugsherbeliefs,sippingontheroadinbitterlife.Shefeelsthatthelonelyisanywhere.Shecouldn'tlosefaith.Whenrealsocietygaveherup,shestilllovedlife.Tosurvive,sheusesthefantasytoweavesmallshieldsagainandagain.Godknowsthatshewasinnocent.Sheneverhurtanyone.what’smore,hercowardlyisshapedbythesocialcondition.Shewantsherselfiselegantprincessforever.Shecouldnotsurviveinreality,andshewantsherdream,sosheneedsmagic.Sheshouted,“Idon'twantrealism.Iwantmagic!Yes,yes,magic!Itrytogivethattopeople.Imisrepresentthingstothem.Idon'ttelltruth,Itellwhatoughttobetruthandifthatissinful,thenletmebedamnedforit!”Thevoiceissotragicallyheroic,buttherealityisfilledwithtaunt.Butshedoesn’tcare.Whatshebelieveshasbecomethefaithwhichisneverbetrayed.3.2AYieldRebelShehastobeyield.Branch’sworldonlyhasherownself,andsheonlylovesherown.Theexistenceofeachpersonmeanstoenjoyher.Whenshehaslosttheallthattheworldappreciates,sheneedstocover,needstolie,needstofantasy.Finally,there'snothingwithherbutafantasy.MostofthecommentsregardedBlancheasaheroinecriticallyillwomen.Buttheauthor'sintentionisnotso.IntheeyesofTennesseeWilliams,theheroineBlancheisnotsick,butpureandinnocent.Branch'sfullname,BlancheDubois,isaFrenchwordmeaningwhiteforest,while“white”isthesymbolofpurityintheWest.WilliamClayBopointsthattheheroandheroineworksbydefiningthe“same”andthe“other”status,andthenanalyzestheworksofgenderrelationsfromthepost-modernthinkerMichelFoucault'stheory.GassnerandKutchsaysthatBranchrepresentsthecivilizationandart,andStanleyrepresentstheroughandviolent,andStanleyisBranch’sdestroyer.3.3ADesperateFighterIntherealworld,shecan'tfindwheretheGodis.Realhappinessissomethingdoomedforher.Herdesireandfantasyattachesinherlifeuntildiedwiththelifetogether.Mickeysayshislovetoher,asiftheGodlightsthelampofhopeforher.Sheeventellshimthat“IthankedGodforyou,becauseyouseemedtobegentle-acleftintherockoftheworldthatIcouldhidein!”ButOnceagainshefellsintodarkness.WhenMickeysaysthathewanther,butthinkssheis“notclean”andrefusestomarryher,shedriveshim,andshoutsthehystericalroaring.Shefeelssopainfulbuttriestohidpain.Sheburstitoutatthattime.Shetriestoreleasethepainandexpresstheresistancethroughthefantasyasaweakperson.Evenstandingforthosehurt,shestillwouldn’tcompletelyyields.ShefantasiesthatMickeyshouldbelikeagentlemanbackandapologizetoher,butshewouldrefuseelegantlyanddecently.Fantasyisherwaytocompromisethepainasacowardly,butalsothewaytodivulgeherownfulfilleddesires.Shecouldn'tbeDonQuixotewhousesactiontofinishtheidealintheirheart.Shehastorelyonfantasy.Buttherealitywasdetestedfantasythatmakeherselfruinedher.Theoppositionbetweenrealityandillusionmakehernervousalwaysintautstate.ShejustwalkedintothesisterStellahome.Itshowedhermentaltension,“sheshrankbyshouldersittingonthechair,lookingaround,”.Finally,hernervewaseventuallycollapsedbyStanley.Shealwaysfantasiesashelter,andseeksshelters.Shecouldnotacceptreality,andthendenythereality.ButFantasythingswon'tsurvive.Intheoppositionoftherealityandillusion,Blanchecan’tfindthebalance.Herconstantescapeisordertofindaplacethatcanletherfantasylive.Shebelievesstrangers’goodwill,becausethefamiliaronlyabandonher.Shefantasiesnewplacestosurvivefantasy.Sheisalwayswalkingwithadream.Anyastrangeplaceoranyastrangeperson,canbealllovelyandgood.Anyplacewashergardenandanyoneisherguest.ButstrangewillalsobefilledwithevilsuchasStanley,aswellastheasylumwhereshewillspendtherestofherlife.Inpatriarchalsociety,theNobleladieshavenosurvivalability,sotheyhavetoattachtotheman.Insuchareality,sherefusedtogiveupthefaithandherfatewouldbedoomedtotragedy.4VentingthePainofLifeThereisnoconclusionthathumannatureisgoodorevil,butthereisnodoubtthatthelivingenvironmenthasagreatimpactonhumanity.Freudbelievesthatthepersonalityismadeupofid,egoandsuperego.Theidreflectshuman’sprimitive.Andwhattheidaskstodoshowhuman’soriginaldesire.WehumanarealwayswithSociality,sowehavetobelimitedbytherulesofsociety.Itmeansthatthehuman’sdesirewillneverbefullysatisfied.Asaresult,thehuman’sdepressionexistseverywhere.Nomatterthebraveorthecowardly,theyhavetooutbreaktheirowndepressiontoreleasetheirangerwhichisfromthattheycannotmeettheirdesires.Theoutbreakofdepressionisvarious.Somewillnotharmothers,whilesomemaybedespicableandshameless.4.1TheDestructivePowerSartre,anAmericanwriter,hassaidthatHellisotherpeople.Egoismisthestartingpointofhumannature.Peopletendtoglossovertheirowntoachievethepurposeswhicharebothsatisfyingtheirdesireandescapingaccountabilityoftheirbadsocialbehavior.Thatistheso-called“Killtwobirdswithonestone”.Stanleyisfullofbrutalandviolent.Asarepresentativeoftheemergingindustrialpower,hebrutallyputanendtoallthesensitiveanddelicate.Hewaslikeawildbeast,fullofworldlypleasuresdoctrine.Heisfullofprimitiveinstinctsofhumannature,whichpeoplehatebutalsodeniedofthetemptation.GesnerandKutchsaysthatBranchrepresentsthecivilizationandart,andStanleyrepresentstheroughandviolent,andStanleyisBranch’sdestroyer.Eachperson'sheartislonelyandfragile,soitisStanley.Heturnstotheoutsideworldtogainstrength.Hisheartisweakandhorror,sohewouldutterlydestroysBranch.Hecompletelyexpressescrueltyofhumanitybyputtinghisownhappinessinthesufferingofotherpeople.4.2TheShelterofIllusionBranchisabravecowardandayieldrebelandadesperatefighter.ItisthecowardiceofBlanche’ssubjectivethatleadstoherdependenceonthefantasy.Shegoestothecompletecollapseintheoppositionofrealityandillusion.Shecan’tstandwhatthelifebringstoher,butthefatewon’tgiveanyonethechoicetoflee.Shehasbeenalovelygirl.Whenherlovetellsthetruthbeyondhertours,sheisfilledwithfear.Shedoesn’tknowhowtodealwithit.Aschildsheshoutsoutwhatshethinks.sheisyoungatthattime,butthechangeoflifeistooearliertoher.Herlover’skillinghimselfmakesherfirstharm.Shehadtoturntoherfamilyforhelp;howeverherfamilyhasbecamehelpless.Deathofhermotherhadhappenedbeforehereyes,andthenthedeathofMargaret.Shecan’tadmitthefallingofhersocialclass,andcan’tgiveupherbelieveasanoblewoman.Topayforherinstant,shehastogetwhatshewantsbyurgingothers.Shegoestothestringersforlove.shelooksforGod,althoughthereisnousetodoso.Thecostisexpensivethatshegetsalustfulreputationwhichruinsherlife.Shewasexcludedfromthehappiness.Nomatterhowinnocentsheis,nomatterhowmuchsheenduredthepain,shewouldsticktoherbelief.Thecostofherinsistingonthefaithisbeingexpelledbyhappiness.Shestubbornlybelievesthatherlifeissomethingwhichshouldbeobtainedaswhatshewants,ratherthanaroughlifethatshehastoaccept.Shewantstochoosethelifeshewant,ratherthanbechosenbylife.Butforasoreheadnoblelady,thedistancebetweenrealityanddreamistoofaraway.Whodoesn’thaveabeautifuldreamforthelife?Romanceissomethingwithbornforeverywoman,butthecruellifeoftenburiesourbeautifuldreamsbeforeoureyes.Branchjustchoosestolivewiththebeautifuldream.However,herownlifehasevenbeenburiedforthispurpose.Hercostistragic,butthelifeissocruel.Wecannothelpherapartfromtears.Eveninalunaticasylum,shestillliveswithherbeautifuldreamalthoughherheartisbleeding.5SolutionstothePainfulOppositionWemustfindthebalanceontheoppositionofrealityandillusion.Fantasyissomethingthatwehavetoremainbecauseofwantingahappylife.Iftherealityismostlysatisfied,thefantasyisjustacompensationforpleasure.Sothefactisweoftenneedamixtureofboththerealityandillusion.5.1Characters’SolutionsTennesseeWilliamsoncesaid:“myworkonlyhasonesubjectthatishowsocietyforcingtodestructionforsensitiveoneswhichdon'twanttoorderthesociety.”So,thesexinAStreetcarNamedDesire,whichisfullofirony,plays,orevendestroys,expressestheviolentandthevulgar.Italsoreflectstheinnerpainandfrustrationofthose“sensitiveoneswhichdon'twanttoorderthesociety”.5.1.1Branch’sIndulgenceWeallwanttojustifyourexistence.Whenwestandpains,wewantthepleasure.Thedepthofhumannaturewantsunlimitedindulgence.Branchusesindulgencetoreleaseherrepression.Sexisoneofmankind'smostprimitivedesires.Aslongasthedesireissatisfied,thehumancanfeelpleasure,ortheycanforgetthepainoflifeforamoment.ThepleasureofsexcanhealwoundsofLife.Howeveritcannotsavethedesperatesoul.“AfterthedeathofAllan-intimacieswithstrangerswasallIseemedabletofillmyemptyheartwith...”Theillusionwasthatoutofallthesemenshewouldbewith,oneofthemwillbetherightoneforherandwilltakecareofher.Herdesiresaretobehappyagainandtobelovedagain.Butsoonherintimaciesgetoutofcontrolandsheoncemadethemistakeoftryingtoseducea17-yearoldstudentofhers.Becauseofthis,shehasnoplacetostand.Blanchelikeamoth,howevershenotbraveenough.Herheartwasfilledwithfear,butsherefusetoreturn.Sheisaparanoidperson,theparanoidwithadream.Desireisthehumanity'scall,andeveryone'shearthasthedepressivemood.Thosesensitiveonesfeelthepainmoredeeply.Whentheoppositionbreaksthroughthebottomlineofheart,spiritualworldwillcollapse.ThetragedyofBlancheistheproductoftheobjectiveenvironment,alsorelatestoherownreasons.StellawillfallinlovewithStanley,whoislowerthantheirclasses,andfeelhappiness.Thatwon'thappenonBlanche.Shealwaysputsherselfinthemanorofnoble.Sherefusesrealityandfearsreality.Themorepurespiritis,themorepainfulitis.Weallhavelifeonlyonce,butBlanchechoicebeliefbetweenlifeandbelief.Itisthelackofrationalthatcausedhertodrowndesireandfinallyinthecollapseinreality.5.2.2Stanley'sRapeStanleybelongtheclassofhislivingenvironment,andheloveshisclass.Hislifeissatisfiedbythematerialandthephysicalenjoyment,whichseemstobecalledarichandhappylife.BeforethearrivaloftheBranch,allthingshavebeenpeacefulunderStanley’sspiritualleadership.Infact,heisasselfishasBlanche.Branchisjustaninadvertentintruder,butStanleyisadeliberatemurderandtheattacker.Pettinessisakindofnarrowself-protection,butalsothelargestinvisiblekiller.ItistheOpposingclassculturethatmakestheirhearts,unabletounderstandcompletelyandcommunicatefully.Andforpsychologicalself-defensefromhumannature,thecultureariseswithexclusionandconflictinevitably.Thus,thosewholikeBlancheascowardlyrebelsonlyfailedtowithstandtheharshreality.StanleydestroyedBranchcompletelyandviolently.Itexpresseswhatacruelandbrutalreality.Stanley’srapeisathoroughexposeattheoriginaldirtyfaceoflife.Branchhasbeenbeautifyingtheworld,andbelievethatimagingworldandloveherbeautifyworld.Infact,shehasrelationshipswithmanystrangers.Butthosemenconfusethemtemporarilyinherpoem,orjusttoplaywithher.Inherfantasyworld,everymanwhohasrelationwithherisherprincewholovesher,andtheyareinthenoblelove.However,what’sshecallsthenobleloveisonlythehypocrisy,theaffectation,andthesatisfactionofbodyintheeyesofStanley.Blanche'sfantasyisjustagame,whichsheplayswithherownbyherlife.Astherobber,Stanleydestructseverything.StanleyrapedBlancheanddriveshertocompletelycrazy,whichrevealsthattheStanleyistherealcrime,butalsoexpressesthattherealityistoocrueltostand.Meanwhile,Blanche,whostrugglesintheoppressionofreality,wantstoavoidpainfromillusion,andfinallycomestodesperation.5.3.3Stella’sLoveLovemeanstoleranceandacceptance.Happinesscomesfromthefitnessoftheenvironment.SheisasbraveasBranch,butshegetsherhappiness.Stellaistherealbeautifulwife.Sheloveshersister,lovesherhusband,andlovesherhome.Sheisalsoanoblelady,however,asshesaid,“Ihavealwaysbeensilent.”Inotherwords,shedidnotfullyappreciateandsatisfytheglo