Executive SummariesExecutive Summaries
For Leaders – Today and Tomorrow
Targeted Learning for Leaders ~ www.eChapterOne.com December 2007
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© 2007 eChapterOne, LLC
Made to Stick:
Why Some Ideas Survive and
Others Die
Authors: Chip Heath and
Dan Heath
Publisher: Random House
Published: January, 2007
Price: $17.95
The Heath brothers have solid credentials. Chip, a
Ph.D. psychologist, is a professor of organizational
behavior in Stanford University’s Graduate School of
Business. His course, “How to Make Ideas Stick,” has
been taught to hundreds of students including
managers, teachers, doctors, journalists, venture
capitalists, product designers and film producers.
Dan is a consultant at Duke Corporate Education,
ranked by Business Week and the Financial Times as
the world’s No. 1 provider of custom executive
education. A Harvard MBA, he also conducted field
research and developed cases with several professors
in Harvard’s Entrepreneurial Management unit.
Overview
This is a deceptively wise book. Well-written. Engaging.
Carefully organized. Full of richly woven success stories
highlighting everyday communication challenges.
The genius is in how the authors blend two uncommon
features:
• Savvy insight into qualities that separate “sticky,”
or clear and memorable, communications from
run-of-the-mill efforts.
• Compelling advice on how to apply these insights
to stake your claim — with precision and impact
— in today’s marketplace of ideas.
“We wanted to take apart sticky ideas — both natural
and created — and figure out what makes them stick,”
say brothers Chip Heath and Dan Heath.
They pay tribute to Malcolm Gladwell, the best-selling
author who made “stickiness” a defining phrase in his
book, The Tipping Point. Gladwell focused on what
makes social epidemics leap from small groups to big
groups. “Our interest,” say the Made to Stick authors,
“is in how effective ideas are constructed.”
The book is organized around six core principles labeled
the SUCCESs framework:
• Simplicity. Prioritize and exclude relentlessly to
find your core message.
• Unexpectedness. For ideas to endure, generate interest and curiosity with unexpected information.
• Concreteness. To make ideas clear, explain them in terms of human actions and sensory information.
• Credibility. To build confidence, help people test your ideas for themselves.
• Emotions. To get people to care about your ideas, make them feel something.
• Stories. Tell stories that help your audience mentally rehearse for real experiences that might happen in the
future.
““Lead people, manage stuffLead people, manage stuff””
Meet the Authors
Executive SummaryExecutive SummaryExecutive SummaryExecutive Summary
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Made to Stick: Made to Stick: Made to Stick: Made to Stick: Why Some Ideas Survive and Others DieWhy Some Ideas Survive and Others DieWhy Some Ideas Survive and Others DieWhy Some Ideas Survive and Others Die
by Chip Heath and Dan Heath
1. Simple
It’s hard to make ideas stick in a noisy, unpredictable, chaotic environment. As Army officers know, no
battle plan survives contact with the enemy. In business, no sales plan survives contact with the
customer. In the classroom, no lesson plan survives contact with teenagers.
If we are to succeed, the first step is this: Be simple. Weed out superfluous and tangential elements,
even the really important ones that aren’t the most important.
In the Army, for example, the Commander’s Intent is the organizing device and communications tool
that drives home this point. It requires officers to highlight the most important goal of an operation.
“You may start off trying to fight your plan, but the enemy gets a vote,” says Colonel Tom Kolditz, head
of the behavioral sciences department at the United States Military Academy. “Unpredictable things
happen — the weather changes, a key asset is destroyed, the enemy responds in a way you don’t
expect.”
To be sure, the broader planning process is important because it forces people to think through the
right issues. However, the Commander’s Intent is a crucial follow-on to final plans. It is a crisp plain-
talk statement that appears at the top of every order. And it never specifies so much detail that it risks
being rendered obsolete by unpredictable events.
“You can lose the ability to execute the original plan, but you never lose the responsibility of executing
the intent,” says Col. Kolditz. Commander’s Intent manages to align the behavior of the soldiers at all
levels without requiring play-by-play instructions.
At Southwest Airlines, longtime CEO Herb Kelleher framed the Commander’s Intent this way: “We are
THE low-fare airline.” This has been Southwest’s strategy from its beginnings in the 1970s.
Employees are renowned for executing it well, and Southwest has delivered remarkably consistent
profitability. Any suggestion that might threaten Southwest’s position as “THE low-fare airline” is
carefully scrutinized, and usually rejected. Suggestions to reduce costs are eagerly welcomed, and
many embraced.
Simple messages help people avoid bad choices by reminding them of what’s important. They are
core and compact. If a message can’t be used to make predictions or decisions, it is without
value, no matter how accurate or comprehensive it is.
2. Unexpected
How do I get people’s attention? Just as crucially, how do I keep it?
The most basic way to get someone’s attention is this: Break a pattern. We can’t succeed if our
messages don’t break through the clutter to get people’s attention. Humans adapt incredibly quickly to
consistent patterns. Our brain is designed to be keenly aware of changes. Smart product designers
are well aware of this tendency. They make sure that, when products require users to pay attention,
something changes.
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John F. Kennedy’s unexpected goal in 1961 for the U.S. putting a man on the moon “and returning
him safely to earth, before this decade is out,” gave us a sudden, dramatic glimpse of how the world
might unfold. It was audacious and provocative, but not paralyzing. Any engineer who heard the “man
on the moon” speech must have begun brainstorming immediately: “Well, first we’d need to solve this
problem, then we’d need to develop this technology, then …”
If you want your ideas to be stickier, you’ve got to break someone’s guessing machine and then fix it.
But in surprising people, in breaking their guessing machines, how do we avoid gimmicky surprise?
The easiest way is to target an aspect of your audience’s guessing machines that relates to your core
message.
A good process for making your ideas stickier is:
• Identify the central message you need to communicate — find the core.
• Figure out what is counterintuitive about the message — i.e., what are the unexpected
implications of your core message? Why aren’t they already apparent?
• Communicate your message in a way that breaks your audience’s guessing machines along
the critical, counterintuitive dimension. Then, once their guessing machines have failed, help
them refine their machines.
Common sense is the enemy of sticky messages. When messages sound like common sense,
they float gently in one ear and out the other. If I already intuitively “get” what you’re trying to tell me,
why should I obsess about remembering it? The danger, of course, is that what sounds like common
sense often isn’t. It’s your job, as a communicator, to expose the parts of your message that are
uncommon sense.
What makes people interested? A Knowledge Gap
Mysteries also are powerful devices for creating knowledge gaps. By posing a question, says Robert
Cialdini, a social psychologist at Arizona State University, you can describe a state of affairs that
seems to make no sense. Then you invite readers or an audience into the material as a way of
solving the mystery.
Psychologists have studied for decades the question of what sparks and elevates interest in a
situation. The most comprehensive answer suggests that our curiosity rises when we feel a gap in
our knowledge.
This insight from George Lowenstein, a behavioral economist at Carnegie Mellon University, adds that
gaps cause a kind of pain. When we want to know something but don’t, it’s like having an itch that we
need to scratch. To take away the pain, we need to fill the knowledge gap.
According to Lowenstein, first highlight some specific knowledge that your audience is missing. Pose
a question or puzzle that confronts people with a gap in their knowledge. We can point out that
someone else knows something they don’t.
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3. Concrete
Language is often abstract, but life is not abstract. Even the most abstract business strategy must
eventually show up in the tangible actions of human beings. It’s easier to understand those tangible
actions than to understand an abstract strategy statement.
Aesop’s Fables are examples of some of the stickiest stories in world history. We’ve all heard
Aesop’s greatest hits: “The Tortoise and the Hare,” “The Boy Who Cried Wolf,” “The Goose That
Laid the Golden Eggs” and “Fox and the Grapes.”
Abstraction makes it harder to understand an idea and to remember it. It also makes it harder
to coordinate our activities with others; they may interpret the abstraction in very different ways.
Concreteness helps us avoid these problems. This is perhaps the most important lesson Aesop can
teach us.
Mystery is created not from an unexpected moment but from an unexpected journey. We know
where we’re headed — we want to solve the mystery — but we’re not sure how we’ll get there. We
jump from fleeting surprise to enduring interest.
Concrete Examples Boost East Asian Math Students
East Asian schools are widely known in the United States for training students highly skilled in math.
The stereotype of East Asian schools is that they operate with almost robotic efficiency. Americans
think East Asian students outperform U.S. students through rote mechanics and memorization, not
creativity. The truth is almost exactly the opposite.
Teachers in Japan, for instance, often explain abstract mathematical concepts by emphasizing
things that are concrete and familiar: “You had 100 yen but then you bought a notebook for 70 yen.
How much money do you still have?” A teacher in Taiwan poses this problem: “Originally there are
three kids playing ball. Two more came later, and then one more joined them. How many are
playing now?” As she talks, she draws stick figures on the board and writes down the equation 3 +
2 + 1.
Researchers call this style of questioning Computing in Context. It is pretty much the opposite of
“rote recall.” And, contrary to stereotypes held in the West, researchers found in this 1993 study of
ten schools in Japan, ten in Taiwan and twenty in the United States that Computing in Context
occurred about twice as much in Asia as it did in the United States – 61 percent of lessons versus
31 percent.
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Concreteness as a Foundation
Using concreteness as a foundation for abstraction is not just good for mathematical instruction; it is a
basic principle of understanding. Novices crave concreteness. It helps us construct higher, more
abstract insights on the building blocks of our existing knowledge and perceptions. Trying to teach an
abstract principle without concrete foundations is like trying to start a house by building a roof in the
air.
The Velcro Theory of Memory
What is it about concreteness that makes ideas stick? The answer lies with the nature of our
memories.
Many of us have a sense that remembering something is a bit like putting it in storage. The surprising
thing is that there may be completely different filing cabinets for different kinds of memories.
To test this yourself, take this quick exercise created by David Rubin, a cognitive psychologist at Duke
University.
The following set of sentences will ask you to remember various ideas. Spend five or ten seconds
lingering on each one — don’t rush through them. You’ll notice that it feels different to remember
different kinds of things:
• The capital of Kansas
• The first line of “Hey Jude” (or some other song that you know well)
• The Mona Lisa
• The house where you spent most of your childhood
• The definition of “truth”
Here’s why it feels different to remember different kinds of things:
• Remembering the capital of Kansas is an abstract exercise, unless you happen to live in
Topeka.
• When you think about “Hey Jude,” you may hear Paul McCartney’s voice and piano playing.
• No doubt the Mona Lisa memory conjured a visual image of that famously enigmatic smile.
• Remembering your childhood home might have evoked a host of memories — smells,
sounds, sights. You might even have felt yourself running through your home, or
remembering where your parents used to sit.
• The definition of “truth” may have been harder to summon. You probably have no set
definition to pluck from memory, and had to create one on the fly.
Rubin’s point is that memory is not like a single file cabinet. It is more like Velcro, a material with
thousands of tiny hooks on one side and thousands of tiny loops on the other. Your brain hosts a truly
staggering number of loops. The more hooks an idea has, the better it will cling to memory.
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The Curse of Knowledge
The Tapper Game tells us a lot about why ideas don’t stick. It is a simple game, with one person
tapping out rhythms of twenty-five well-known songs, and another person guessing the names of the
songs. It is also a very difficult game. No music, just tapping on a table. In an experiment with four
sets of players at Stanford University, only 3 of 120 songs were identified correctly. The tappers had
predicted half the songs would be guessed correctly.
How could they be so wide of the mark? Once tappers know their song titles, it is hard for them to
imagine what it’s like not to have that knowledge. This is the Curse of Knowledge. Once we know
something, we find it hard to imagine what it was like not to know it. It becomes difficult to share
our knowledge with others; we can’t readily recreate our listeners’ state of mind.
Tapper/listener dynamics are evident in countless ways every day across the world. Tappers and
listeners are CEOs and frontline employees, teachers and students, politicians and voters, marketers
and customers, writers and readers. All rely on ongoing communication, but, like the tappers and
listeners, they suffer from enormous information imbalances.
It’s a hard problem to avoid. You can’t unlearn what you already know. Becoming an expert in
something means that we become more and more fascinated by nuance and complexity. That’s when
the Curse of Knowledge kicks in, and we start to forget what it’s like not to know what we know.
Business managers seem to believe that once they’ve clicked through a PowerPoint presentation
showcasing their conclusions, they’ve successfully communicated their ideas. What they’ve done
typically is share data, but they haven’t created ideas that are useful and lasting. Nothing stuck.
Accuracy to the point of uselessness (uselessness in the eyes of a listener) is a symptom of the Curse
of Knowledge. People are tempted to tell you everything, with perfect accuracy, right up front, when
they should be giving you just enough info to be useful, then a little more, then a little more.
The SUCCESs checklist (excluding Simple, in this instance) is an ideal tool for dealing with
communication problems. For an idea to stick, for it to be useful and lasting, it’s got to make the
audience:
• Pay attention » Unexpected
• Understand and remember it » Concrete
• Agree/Believe » Credible
• Care » Emotional
• Be able to act on it » Story
4. Credible
What makes people believe ideas? Family, personal experiences, and faith are all foundations for
individuals’ beliefs. Thankfully, we have no control over the way these forces affect people. If we’re
trying to persuade a skeptical audience to believe a new message, the reality is that we’re fighting an
uphill battle against a lifetime of personal learning and social relationships. Yet the most obvious
sources of credibility — external validation and statistics — aren’t always the best.
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The Antiauthority
Experts such as Oliver Sachs on neuroscience or Alan Greenspan on economics are one kind of
authority. Celebrities and other personalities we want to be like are another. We care because we
want to be like Michael Jordan or Oprah Winfrey. But there is another type of authority that can be
highly credible, the antiauthority. Someone like Pam Laffin — the star of a series of anti-smoking TV
ads broadcast in the mid-1990s.
A smoker from the age of ten, the 29-year-old mother of two had suffered from emphysema for five
years. The series of 30-second spots showed Laffin battling to live while slowly suffocating because of
her failing lungs. She said in one, “I started smoking to look older and I’m sorry to say it worked.” She
died in November 2000 at the age of thirty-one.
There’s no question Laffin knew from personal experience what she was talking about. She had a
powerful tale to tell. The takeaway is that it can be the honesty and trustworthiness of our sources, not
their status, that allow them to act as authorities. Sometimes antiauthorities are even better than
authorities.
Statistics and Human Scale
Statistics are rarely meaningful in and of themselves. They will, and should, almost always be used to
illustrate a relationship. It’s more important for people to remember the relationship than the number.
When the anti-nuclear missile group, Beyond War, described the out-of-control arms race between the
United States and the Soviet Union during the 1980s, no one realized the scale of the growth. Even
though a single warhead was enough to decimate a city, the number worldwide had grown to 5,000.
To demonstrate the scale, a Beyond War speaker would pour 5,000 BBs into a metal bucket. BBs are
weapons, and the sound of the BBs hitting the bucket was threatening. It was irrelevant whether there
were 4,135 nuclear warheads or 9,437. The point was to hit people in the gut with the realization that
this was a problem that was out of control.
5. Emotional
Making people care isn’t something that only charities do. Managers have to make people care
enough to work long and hard on complex tasks. Teachers have to make students care about
literature. Activists have to make people care about city-council initiatives. The goal of making
messages “emotional” is to make people care. Feelings inspire people to act.
The most basic way to make people care is to form an association between something they don’t yet
care about and something they do care about. We all naturally practice the tactic of association. Over
time, associations get overused and become diluted in value. The superlatives of one generation —
“groovy, awesome, cool, phat” — fade over time because they’ve become associated with too many
things.
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