2 8 世界建筑 2011/04
一直以来,公共空间作为一种共有的文化价值和民
主的理想体现,提供了平等自由的行为场所为大家共
享。这种消除排它性的公共空间往往是城市活力的重要
源泉。城市规划展览馆作为将城市当成展览对象的公共
建筑,必然是城市中最具有开放价值和必要性的地方。
郑东新区城市规划展览馆基地东面和北面紧临已建
成的学校,南面和西面是主要的城市道路。这是一幢不
多的位于街角的标志性公共建筑。角部开敞是基地在特
定位置向城市开放所表现的姿态,展览馆首层局部架空
形成了城市与建筑之间的灰色区域,通过它很快将街道
的活力注入场地。公共性的策略将建筑切分成反差极大
的两部分,私密的内部展览被墙体包裹而固化、公共性
的漫步因为开放而虚空。展览馆内部空间在具有独立完
备动线的同时,其核心功能与穿越建筑体量的开放动线
始终存在着积极的交织,传统的标志性独立入口被分解
成更多有趣的进入方式。开放和漫游使得内外动线因为
界面开合视线互动而成为不确定行为的事件空间,建筑
如同立体主义式的城市街边闲散公园和小广场。
建筑的外立面被玻璃百叶表皮包裹成立方体,给开
放的漫步动线设置了一层半透明的界限,整个架空上部
郑州郑东新区城市规划展览馆,河南,中国
ZHENGDONG DISTRICT URBAN PLANNING EXHIBITION HALL, ZHENGZHOU, HENAN, CHINA, 2011
建筑
设计
领导形象设计圆作业设计ao工艺污水处理厂设计附属工程施工组织设计清扫机器人结构设计
:张雷联合建筑事务所
ARCHITECTS: AZL Architects
的体量变得完整。界面使它从被置于无方向性的实体之
“外”,回归到存在一定围合度的建筑之“内”。玻璃百叶
的透明性将实体的公共性转换成一种视线的公共性,白
色彩釉玻璃被定制为300mm宽的长条状构件,按0°、
45°、90°3种角度构成外层表皮,分别对应于内部采光
通风要求不高的区域、对视线有一定限制的区域以及漫
步动线对城市在视线上完全打开的区域。玻璃百叶因位
置不同而角度各异,因远近飘移而不断变幻,透明与折
射在无法预料的光线和运动中不断转化,它们所试图掩
饰的那层公共性在时间飞速地流逝中变得若隐若现。□
设计团队/Design Team: 张雷、戚威、郭东海、蔡振华/
ZHANG Lei, QI Wei, GUO Donghai, CAI Zhenghua
施工
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图设计合作/Collaborator: 南京大学建筑规划设计
研究院/Architectural Design & Planning Institute,
Nanjing University
建筑面积/Floor Area: 8 450 m2
设计时间/Design Date: 2009.09
建成时间/Completion Date: 2011.03
摄影/Photographer: 姚力/YAO Li
1
2
3
4
1 总平面/Site plan
2.3 外景/Exterior view
4 模型/Model
5 外景/Exterior view
29张雷材料意志/ZHANG LEI MATERIAL VOLITION 5
3 0 世界建筑 2011/04
Public places embodying shared cultural values
and ideals have the opportunity to become the most
important activity and urban life centres in cities.
Contrary to the iconic architecture and closed facades
ubiquitous in China, public buildings need to present
an openness and give back to the urban context,
especially in the case of the Urban Planning Exhibition
Hall.
Unlike other symbolic public buildings usually
located in city centres, the Zhengdong Exhibition Hall
is in the southwest of street cross, adjacent to a
school to the north and east. The site is quite compact,
with a total floor area of the project of 8 450 square
metres.
The south and east facades of the building are
open at ground level. A large ramp creates the main
entrance, which directs public circulation vertically
through several entrance spaces and multilevel
courtyards, and eventually to the roof terrace. The
privacy of the internal exhibition galleries contrast
with the transparency of the public corridors, as they
are positively intertwined. External surfaces are clad
in 300mm glass louvres splayed at angles of 0, 45, and
90 degrees based on programmatical requirements.
The angles provide for constantly changing sight lines,
degrees of transparency and refraction, the creation
of motion. The effect is a pure cubic volume.□
6 鸟瞰/Aerial view
31张雷材料意志/ZHANG LEI MATERIAL VOLITION
6
3 2 世界建筑 2011/04
7
8
9
10
11
12
33张雷材料意志/ZHANG LEI MATERIAL VOLITION
13 14
7.8 外景/Exterior view
9 首层平面/Ground floor plan
10 二层平面/Second floor plan
11 三层平面/Third floor plan
12 四层平面/Fourth floor plan
13 内景/Interior view
14 局部立面/Partial elevation
3 4 世界建筑 2011/04
15 16
17 18
19
20
21
15-18 立面/Elevation
19 屋顶/Roof top
20.21 剖面/Section
22 庭院内景/Courtyard Interior view
23 内景/Interior view
35张雷材料意志/ZHANG LEI MATERIAL VOLITION
22
23