影评《当幸福来敲门》 WillSmithplaysaSanFranciscomedicalequipmentsalesmanwhoresolvestochangehislifeandbecomeastockbroker,butismadehomelessintheprocessThesortoffilmtheOscarsaredesignedfor,ThePursuitOfHappyne...WillSmithplaysaSanFranciscomedicalequipmentsalesmanwhoresolvestochangehislifeandbecomeastockbroker,butismadehomelessintheprocessThesortoffilmtheOscarsaredesignedfor,ThePursuitOfHappynessshouldinducenausea.There'sthecheesydialogue("Youwantsomething,gogetit-period!").There'stheannoyingtitle,withitsdeliberatemisspelling(areferencetoasloganseenonawallthatbecomesthefilm'smantra).Andthere'sthefatherandsonactingcomboofWillSmithandseven-year-oldJaden,whobetweenthemserveunapologeticallyasanadvertfortheAmericandream.YetthankstoItaliandirectorGabrieleMuccino,inhisfirstHollywoodouting,thefilmholdsfirm.SetinSanFranciscoin1981,atatimewhentheRubik'sCubeissweepingthenation,thefilmisinspiredbythereal-lifestoryofoneChrisGardner(Smith).AstrugglingBayAreasalesman,Gardner'sproductisa"portablebonedensityscanner",aboxoftrickswhichhebelievesdoctorswillsoonbeclamouringfor.ButluckdesertsGardneralongsidehiswifeLinda(Newton)andahippiegirlstealsoneofhisscanners.Leftwithcustodyofhisfive-year-oldsonChristopher(Smith),Gardnerisdesperatetobeagoodfather,ashedidn'tknowhisownDaduntilhewas28.AchanceencounterwithastockbrokerinspiresGardnertochangecareerandsecureaninternshipatabrokerage.Remarkably,hemanagestogetontothesix-monthcourse,butit'sagamble."Therewasnosalary,"hesays."Notevenareasonablepromiseofajob."Forcedtosellhisremainingmachinesontheweekends,heandChristopherliveonthepovertyline,andareevictedafterGardnerishitwithacripplingtaxbill.Lookedatcynically,thefilmboastsoneofthoseheavyweightperformancesthatHollywoodA-liststarsoccasionallyofferinaquestforcachet.InthiscaseSmithletshishairgogreytoconvinceusthatthisisnovanityproject.Butbondingconvincingly(asyoumightexpect)withhisownsononscreen,SmithdelivershismostcompellingperformancesinceAliin2001.PlayingGardnerasadecent,honestmanwhorefusestoletlifegrindhimdown,it'saninspirationalturn.WithMuccino(bestknownfor2001'sL'UltimoBacio,whichwasremadeintheUSin2005asTheLastKiss)incharge,Smith'sactingisshornoftheusualhigh-energyticsthathaveblightedhiswork.Soenchantingistheperformancethatitovershadowsthefilm'smoreproblematicandmanipulativemoments,notablythecontentionthatcapitalismholdsthekeytohappiness.ButthisisWillSmithdoingKramerVs.Kramerandthefilmneverallowsustocontemplateitsdubiousnaturefortoolong.
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