弹琴的好习惯（Good habits of playing the piano）

弹琴的好习惯（Good habits of playing the piano） 弹琴的好习惯(Good habits of playing the piano) Habit 1: Do some stretching of your fingers before you play the piano. The action should be based on the stretching of the finger ligament, not too hard. The aim is similar to running and swimming before you prepare to move faster into the piano. In winter, you can hold the hot water bag for a while and warm your hands. Habit two: Every day a bomb hanong. As long as you begin to play it everyday Hannoun, a bomb. In this way, even if you do not have much time to touch the piano every day, it will make your level not too bad. For beginners, every day can maintain the stability of the projectile Hannoun progress. Habit three: Especially slow as fast. The advantage of slow practice is too much, I will not say. In short, slow training is king. Habit four: The first time bomb on the importance of each symbol on the music. Many people will ignore the expression mark on the spectrum of the first time, and then change it after they are cooked. In fact, when they are playing the first time, they pay more attention to the facial expressions, which will deepen the understanding of the music. Habit five: Prepare a pencil while playing the piano. When a lot of music and no fingering, strength of detailed instructions, you need to put the pen at this time, we think, the strength of the appropriate fingering mark mark up. Remember to use a pencil, otherwise it is difficult to change the wrong oh! Habit six: Don't listen to the tape until you play a piece. Recording is just a reference. Listening to recordings without playing well often leads us to imitate recordings, blindly pursuing speed, and losing our understanding of music. Habit seven: Learn to practice individually and individually. Don't play it all over again. The first time you play a piece of music, you cut it first, then you know it, then you practice it for a while. When you find any mistakes, choose the wrong ones individually and correct them. Sectional practice is also more conducive to the overall grasp of the song. Habit eight: Try to keep good hand shape. No matter what piece of music you play, try to keep a good hand, no matter what the speed. Maybe someone will say: "speed up, hand type can not guarantee.". In fact, it can maintain good hand style in high speed play, and it is also one of the criteria to test whether the basic skills are solid. PS: before you reach the master level, don't ask why the pianist's hand and touch keys do not meet the requirements in the video. Habit nine: Play a tune similar to your own level. Many people like to play more than they can do, which is harmful and unhelpful. The music is beyond your level, and it is difficult for you to ensure the accuracy of your technical skills and even a lot of wrong sounds. But even after level playing this song, it is very difficult to come back. Habit ten: Learn to recite. Although the spectrum of reading is important, many good teachers require students to have a purposeful spectrum. It's not just about exercising your ability to score, but that you have more repertoire. This will not only enhance the understanding of the song, but also occasionally "show" in front of others. Habit eleven: Clear goals do not play the piano every day, while practicing many songs. As practicing and learning work also needs to have the goal. For example, make sure you have a passage for a song today, or you want to recite a piece of music and so on. Don't blindly and practice many songs, read hastily and without thinking practice will make you feel like slow progress. By contrast, concentrating on one or two tunes will do much better. Habit twelve: Strict first, do not muddle along. Piano is not rigorous, it can be said that amateur music is a common fault. Difficult playing process will inevitably have a variety of, then do not muddle along psychology, each bite down a difficult level on a pedestal. Habit thirteen: Often use the metronome. Although the rhythm of the piece is alive, before the frame of the music is shaped, Use the metronome. The metronome just control the rhythm of the most basic function. Playing etudes, can achieve speed gradually by metronome. Habit fourteen: Often reworked the music that was previously played. The so-called "warm and new", I have played the song does not mean that I have really mastered it. A lot of music understanding, the main points of technical treatment, the first time after playing the song will not necessarily understand, need to go further in the level, by rework to consolidate and understand. Habit fifteen: Avoid overloading exercises. A few days ago saw a "playing the piano to get pain" post, perhaps the practice of the method of the problem, but over practice will lead to hand pain. Although hard training, and more practice, is indeed conducive to technological progress, but also to have a degree, too many shells will hurt hand, but not conducive to progress. Habit sixteen: Learn to protect your hands. Many male compatriots like to play basketball, rock climbing and other outdoor sports, in fact, it is very easy to hurt. Light is the ligament injury, re fracture, which is fatal to us playing. Many girls love long fingernails, which is playing a taboo. Finally, summarize some key words as the center: rigorous, solid, persistent, reasonable, moderate, and mentally. Also, add a bit, try not to use the pedal when practicing, effect of technical training with the normal pedal easily, so the pedal to add after music practice! --- practice methods for 14 Piano Masters - Practice of some big performers will be presented here, these exercises, are the performers of the interview, asked "how do you practice?" When the answer, or play a piano works, or short excerpts out. Let the majority of music lovers understand the practice of great performers. Maybe we can't imitate, nor can, nor imitate - lack of talent and opportunity like them. But they can draw some ideas from their experience and sort out one of their own practices. And I'll give you a brief introduction of each musician's life. First, Arthur Rubinstein (Arthru Rubinstein1887~1982) ---- an artist who infused great life into music Rubenstein was born in Poland, where freedom shows musical talent. At the age of four began to learn the piano, soon go to Berlin, while studying piano and music, at the age of twelve in Berlin for the first time since the beginning stage, playing brilliant playing career, playing non-stop around the world, become the great pianist. He has a remarkable memory and energy. He is an outside performer, who loves human beings and loves piano art. All these views of life are revealed in his performance. 1, how to practice?: Very few exercises, often used in silent exercises of consciousness. Everyone should have different methods of playing. Third, pay attention to sensible music, noble and elegant music. Fourth, do not practice Czerny etudes. 5, just do the difficult passage. 2, do basic skills exercise?: No basic exercises. 3, how to recite the spectrum?: With the "heart" is back spectrum, can remember any point on the music, completely photographic test in mind. Two, Rudolf Seguin (Rudolf Serkin1903~) Seguin: Austria pianist, music educator Seguin is one of the most famous pianist in the middle of the twentieth Century, one of the five Pianists (selected New York Times), his performance to touch clear, bright sound, steady rhythm and with a strong German style known. Good at playing Mozart, Beethoven Seguin, Schuhmann, Richard. Strauss and other works in the repertoire, works of unconventional love with adventure, such as Diabelli, Goldberg Variations variations and modern composer Schoenberg, Wei Boen and Messiaen's works, and his music interests, He liked jazz, swing music and improvisation. Therefore, by his interpretation of classical music and romantic music of composers, or each voice lines clear, vigorous or meticulous and can see his deep The brightness dazzles the eyes., musicianship and mature, superb playing skills. The normal life of the recording is very careful, which in 1962 in New York with Bernstein and the New York Philharmonic recorded Beethoven "fifth piano concerto" (Huang Di), the king of the statue. In the same year, Strauss and Osman, who performed the Philadelphia Symphony Orchestra, "burlesque" (piano and Orchestra), have never been able to do so. In 1982, he recorded the piano and Cello Sonatas by Brahms and cellist Rostropovich, which left a classic record for the history of records. In addition, he has made outstanding achievements in chamber music, especially with many recordings of his work with the Casals Quartet, which are regarded as classical and important musical documents. Seckin to perfect their own noble personality and superb playing skills won the world's respect and worship. 1, how to practice?: It takes a long time to practice every day and 5 hours later. Slow and fast practice, do not practice at the middle speed, but with expressions. Etude, with Moscheles, Hummel, Thalberg, Liszt and so on, rarely use Czerny. Emphasize the importance of skill, no skill, no music. 2, do basic skills exercise?: Emphasize the basic skills of scales and arpeggios and other exercises, but not hannoun. 3, how to recite the spectrum?: The memory of fingering is dangerous and can not be trusted. I unconsciously remember the notation. Analysis is also used. Fourth, I can't imagine a sentence, the music has been following me, even so I can not sleep. Three, William Backhaus (Wilhelm Backhaus1884~1969) ---- the lion on the keyboard Leipzig is really Backhaus German born German Center of music and culture, under the tutelage of Eros, Backhaus his strong roots in 1891 into the Leipzig Academy of music Dvorak, after graduation, moved to Frankfurt, although at the time of the famous pianist and composer Del Bate (D Albert) study. Del Bate taught his best interpretation of Beethoven". In 1900, the first Backhaus performed in London, blockbuster. In addition to being a professor at the Manchester Conservatory of England and 23 years old in 1907 at the age of 21, he taught at the Flemish Conservatory of music, but for a short period of time, from beginning to end, he was active as a performer on the stage. 1, how to practice?: 1, emphasizing the scales and arpeggios and Bach, this is his basic skills, at the age of 75, every day even the arpeggio well more than half an hour. It is difficult to achieve perfection even if the simplest Mozart music can not be regarded as difficult by complicated skills. Don't just practice the tunes that can pop up in a few minutes. The melodic tunes are dangerous for the performer. 2, do basic skills exercise?: Life in the practice of music, but with arpeggios, expression. Four, Walter Guisekin (Watter, Gieseking1895~1956) ---- German flavor "impression master"" Ji Leon was born in France to a surgeon, started playing the piano at age four, he was 6 years old when playing Schuhmann in front of the French lady Fantasia No. 17. At the age of 8 wrote Sonatas, two other pieces. 10 year old entered the German city music school in Hannover, Germany, to accept Karl Rama (K ? Lei-mer), this is the only teacher in his life. His first official appearance was at the age of 20, and 3 months at blockbuster, William played six games all of Beethoven's sonatas. 1, how to practice: Emphasis on seeking the most natural gestures of human walking. Second, the exercise requirements are absolutely correct, even if PPP, or PP should be clearly distinguished. Pay attention to ear training and pay attention to your performance, Listen to yourself in a critical way. Syllable drills are required to play the volume of PPP quickly. 2, do basic skills exercise?: To practice scales and arpeggios from the ppp~fff pop-up various levels of volume, but also with PPP and fast scales and arpeggios. 3, how to recite the spectrum?: You can recite it without practicing your piano. Five, Atu Schnabe (Artur Schnabel1882~1951) But history is the last generation of large Austrian pianist and great teacher, he is Ray Semyon de J Ki (T Leschetizky) of the students, it is the first known as the Beethoven expert performer. The pianist or teacher in the history of the matter for the teacher NERB Rong, even in his department teaching system and boast. 1, how to practice: First, pay more attention to skill practice. Second, with skills, put skills in second, otherwise it will become a mere skilled. Music pays attention to intuition. Fourth, stressed that the interpretation of the music, to be faithful to the original. 2, do basic skills exercise?: Teaching is skill oriented. Six, Claudio Arrau (Claudio Arrau1903~?) - born for piano art master "man" Arrau is the most outstanding pianist in South America, is ranked among the top ten Contemporary Piano Master, he was born in Chile in South America, educated in Germany, and finally settled in the United States, although he was in the United States for 44 years, he still retains his Chilean citizenship. Due to the mother's enlightenment, before the age of 3 has to be back playing piano, Beethoven Sonata, is an amazing five year old child prodigy, held the first recital, the six annual Santiago Academy of music, at the age of eight in Santiago officially debut recital held during 1853~1918 from Martin Klau (Martin Krause) after the death of Klause in 1918 and he completely rely on self-study completed the music education of their own, in order to keep calm in tight and see a lot of "Zen" in the book, and from the Zen constantly find the necessary conditions of piano art. 1, how to practice?: Between 12 and 13, practice basic exercises for 3 hours a day. Second, after 14 years old, this practice music difficult part. Not performing the rehearsal before the performance. Every day, exercise time with individual physical strength, willpower, and sometimes a day training for 20 hours to prepare, the most important thing is the body does not feel tired. Encourage the body relaxing and dealing with music with strain. 2, do basic skills exercise?: Stress that students must begin with a great deal of skill practice. 3, how to recite the spectrum?: Memory in four ways Heart image memory Sound memory Analysis memory Muscle movement memory. That is, the location of the fingers, memory, analysis, memory, and finally until the correct, that is, every detail of the page so far. Seven, Sicily Jahad (Cecile Genhart) Cecile genhart is the United States Eastman (Eastman) Academy of music's famous older Professor retired in 1975, trained many outstanding students. She and Edwin Fisher (Edwein Fischer), France's Philip (Philipp) was playing for Busoni (Busoni) heard, when Debussy began a famous, 10 years later taught at Eastman, with Matthay for a while, and finally become a good teacher. 1, how to practice?: Pay attention to the training of Baja's works. Practice the basic law: you must understand what you are doing Why did you do it? When did you make it? And what? Do more analysis and thinking before you know how to practice. Fourth, focus on transposing exercises. 2, do basic skills exercise?: Requires absolute scales and arpeggios skills, and transposing exercises. Eight, Guiomar Novas (Guiomar Novaes) He is a famous piano player and professor in Brazil. He was born in Brazil, St Paul. He studied with Philipp at the Paris conservatory. In the United States in 1916 at the New York premiere, Halies Blau (Harriette Brower) (piano Mastery) the essence of the piano that she and other masters of her piano art comment: "Novus piano art is art itself, for every detail, she always handled without any shortcomings, there seems to be no problem stumped her at the same time, novas in scale. The treatment is impeccable, just perfect, especially her glide, is no more a musician can compare her rich chord, tremolo like birds, not by their own audience always captivated by her music, but also surprised her perfect skills and the original interpretation ability, she can will a poem in the works of emotional qualities, expressed in a surging and shocking way." 1, how to practice?: Be loyal to the original when you practice. When playing, you must train your skills well, but you can't expect to win by skill and enjoy all of your knowledge. In the conservatory, usually 4~5 hours per day, when the test only 6 hours, students practiced Philipp, Pischna, Cramer, Bach, rarely pay special attention to skills practice, skills for her is born. 2, how to recite the spectrum?: Very natural memory, not reluctantly, by sight and hearing, mind like memory. Nine, Siluobode Yannick (Slobodyanik) When the Russian pianist first performed in the United States in 1968, critics said, "probably the best pianist from Russia since Gillies and Richter (Richter)."". He and Gillies, Richter (Heinri Nerhaus) and Newhouse student, and he is a student of the newhouse. The Newhouse comments "is a great natural talent" 1, how to practice: He is a born pianist. If a concert has new tracks, practice 6 to 6 hours a day half a day. 2, "I usually practice the whole song from first to last bomb, if there is what is wrong, repeating those places." He plays by instinct. Chopin's Etude is the best etude. A good voice comes from the heart, the brain, and from the hand, and the feet do something. Ten, Casa Decius (Casadesue1899~1973) Robert Kashadysius. Born in Paris in 1899, his family is a famous musical family. At the age of 12, he entered the Paris international Conservatory of music and accepted Luis Dieme (Loris Diemer1843~1919), 14, who graduated with the first prize. His performance features are clear and clean sound skills and pure play style, become the representative of French pianist in new era after World War II moved to the United States, held in playing around, and recorded in Baja, three sets of Mozart's Piano Concerto album (Odys Y31531), a huge success, died in 1973. 1, how to practice: Practice requires sound, not skill, and then smooth and average. Attaching importance to touching keys and using pedals. Third, use Czerny to practice speed and Philipp to practice balance. 2. Do you have basic skills?: Emphasis on skill practice, think C major, B major scale, the most difficult to play. Eleven, Alicia Larrocha (Alicia Larrocha) Larrocha was born on 1923 in Catalonia metropolis of Barcelona, La Rachel's mother and aunt are Spanish composer, granard students. 2 years old, his aunt taught her to learn piano, 4 year old division teacher Frank Marshall, 5 then on stage recital, 11 years old and Madrid Symphony Orchestra Concerto performance. Since 1940, touring has been held in all parts of spain. In 1943, he won the Marshall gold medal, and in 1947 began to perform in, London and other major European cities, and went to the United States for the performance season of 1954~55, And by the United States Dikala records recording record and scrutiny. In 1956, she joined hands with Longde and won the Hollywood International Music Awards in the same year. In 1960, she held many performances to commemorate the 100th anniversary of Albert's birthday. She was honored as the "Queen of the piano" in 1972. 1, how to practice: 1, scales and arpeggios are required, when teaching students need different disadvantages. Second, train chords at a very slow speed, put your hands on the key and feel its expansion. (practiced by a small hand.) Do stretching exercises often. (from childhood to present) Practice the method of expanding your fingers: Between the second and fifth fingers, with the other hand, the fingers open. (without piano) The plan and the mechanical piano in the open hand, as much as possible open play chords. The extended chord practice with 2, 3, 4 and 4 of the first overtone fingerstyle, playing C, F, A, C, F, try playing B. The five finger 9 chord. 2, whether or not to do basic exercises?: Teach students must practice, now she does not have time to practice, only to practice the difficult part of the repertoire. 3, how to recite the spectrum?: First, use the hand, and then use intelligence, coupled with analysis, first left hand. Second, natural memory, by repeated practice, naturally remember, but this is dangerous. Third, "I think it is important to analyze a phrase melody, rhythm, paragraph." Finger memory is effective but dangerous. Memory of stress. (especially Spanish music) The visual memory, keyboard. The memory is complex, must use all the methods, the most important is to have the ear for music. Twelve, Walter Colin (Walter Klien) Colin is Professor of Vienna Academy of music, and often went to travel around the world in the fifth quarter of play, Vienna time was broadcast he played Mendelsohn's Concerto in G minor, recorded by the recording of all Mozart's famous piano. 1, how to practice?: When I practice music, I practice slowly, without pedals, and try to hear every new discovery. When I practice music, I also look for some information to study. 2, do basic skills exercise?: Do not practice scales and techniques, and practice difficult parts in music. Thirteen, Thomas Washali (Tamas Vasary) A Hungarian pianist who won the International Chopin competition. 1, how to practice?: My method of practice is similar to that of new music or practice, or before the concert. First, I can use the "heart" to play, and then use the ear to play, repeated practice to play for themselves or for his wife. And then try to get off the piano to learn every note, and in the plane, you can also recite the spectrum, come up with each sound. Regular exercises begin at the beginning of the regular tunes, while Fugue in Baja begins carefully and slowly from beginning to end. After the completion of these stages, I broke up the back. The play, before two weeks to practice every day the tracks, with standard speed, but not with the expression, only two or three days ago to add expression, in order to cultivate emotion. 2, do basic skills exercise?: The student practice many difficult skills, now I find both difficult pieces of music practice, such as rahama Ninov's Concerto No. third, or the Chopin etude, with the left hand playing the right hand, or both hands while playing the part of the right hand. Fourteen, Bishop (Stephen Bishop) Born in Losangeles, parents are Yugoslav, after the British pianist La Hess (Hess) under the piano. Officially played in London at the age of 19, 1961, Invited to play at the Edinburgh Music Festival, the British composer Bannet (Richard Rrdeby Bennett), also wrote a piano concerto for him. Philip is currently the record company agency issued recording artist, Beethoven Piano Concertos (phi 6747104) Bartok Piano Concerto (phi 8397619500043), Greig Schuhmann Piano Concerto (Phi 6500166) and so on more than 20 albums. Bishop is a straightforward, musically rich pianist, but not every record has its unique style. His character is the crystal clear, often do not have other pianist performance and beautiful timbre, natural and smooth, if can shape and show their personality, can enter the master list of performers. 1, how to practice?: Practice 5~6 hours every day. Usually, I don't practice too fast. If I need those special skills, such as eight degrees, I'll find some eight degree tunes to practice. Third, if the second Concerto, if it is again and again training, even if the practice of hand stiffness, and can not practice, and must find some skills to help overcome practice. After the music has been practiced quite well, it will be practiced in sections, such as the Sonata and the development department. 2, do basic skills exercise?: If you have time, practice the scale, and so are the techniques and exercises. These are important. 3, how to recite the spectrum?: Memory has nothing to do with me. It comes from the right practice. I won't recite it one sentence at a time. conclusion The following will be mentioned above, and make a conclusion for reference: 1, practice, due to personal talent, wisdom and different, if he is extremely clever, like Rubenstein, Yuesejin are intangible, gifted with an extraordinary retentive memory ability, he saves a lot of practice. The special case of practicing, or spectrum, not ordinary people can follow. 2, usually in the age of students, must practice exercises, basic skills, skills to be the first to lay the foundation, is good enough, you can omit some exercises, but the basic skills must be made, because even if it is only difficult to practice music player, in order to overcome this skill, no one a mechanical play, must try to change the method, practice has been reached, these changes will be applied to practice some basic skills. 3, practicing the length of time, It differs from man to man. to play the piano well, however, every day at least four hours to five hours, if not extremely clever, but to have good grades, it must be more than the time, especially the student. 4, scales and arpeggios and Baja practice, some performers, such as Backhaus, Seguin a lifetime in the train, because of their finger flexibility, compared to the elderly, can not see the phenomenon of aging. Only a few performers, basic skills are not cheap, so we can get a correct conclusion, exercises, basic skills training, the student, must strengthen the practice, there are some people, do not advocate the practice of basic skills, skills that can be obtained in the music fountain, people want to use this method first, must be born, is a piano material; second, the absolute genius, or only interested in play with people. 5, contact must be 'attentive, consistent', you must understand what you play again Why do you play? How do you play? How's the play? That is, do more analysis, think, and then practice. 6, as much as possible before the age of 15 to practice skills, and more tracks, only hope to become a performer. 7, practice slowly, and to find some relevant information research. 8, practice cannot be lazy, readily expanded repertoire. 9, the spectrum is complex, and it is difficult to make sure it is safe. Therefore, it is necessary to use all known memory methods to carry on the spectrum. Just in case there is a mistake, there is another way to remedy it. 10, Asians are born with small hands, so it is better to start at the beginning of development, and do more exercises to expand your fingers, which can be very helpful. If your fingers can expand a key, maybe you can play it comfortably and relax. 11, when practicing, to find the disadvantages of practice, if you do not do exercises, you must learn from the difficult passage design practice. 12, the training of ears should start with basic exercises, and find music from boring exercises.