资格英语-雅思阅读十大领域之传纪篇

资格英语-雅思阅读十大领域之传纪篇 雅思阅读十大领域之传纪篇 Part ? English-Chinese Translation 1、 mental illness 2、 one-man show 3、 home-made 4、 poetic imagination 5、 hilly landscapes Part ? Translation 6、 Their lives were overshadowed by their mother's mental illness and Nash himself was greatly helped by his nurse who, with some elderly neighbours, introduced him to the universe of plants. 7、 Due to the enthusiasm of Michael Sadler and William Rothenstein, the exhibition, though modestly hung on the walls of a lampshade shop and announced by a home-made poster, was a success. 8、 This war disturbed Nash but did not change his art as the last one had. His style and his habits were formed, and in the new war he treated his new subjects as he had treated those he had been thinking about for so long. His late paintings, both oils and watercolours, are alternately brilliant and sombre in colour with the light of setting suns and rising moons spreading over wooded and hilly landscapes. 9、 These were all qualities which the historical Franklin possessed in abundance, and so Nadolny's concentration and exaggeration of them isn't unreasonable. 10、 It has been named as one of German literature's twenty 'contemporary classics', and it has been adopted as a manual and manifesto by European pressure groups and institutions representing causes as diverse as sustainable development, the Protestant Church, management science, motoring policy and pacifism. 11、 Under the influence of Jean Andre de Luc (1727-1817), whose acquaintance he made in 1814, he began to devote himself to practical electricity in Tilloch's 'Philosophical Magazine', one of which records an ingenious use of De Luc's 'electric column' as a motive power for a clock. 12、 In 1825 he invented and patented a perspective tracing instrument, intended to facilitate drawing from nature, which he improved about 1828, and described in a work called 'Mechanical Perspective'. These instruments seem to be the only ones for which he took out patents. 13、 Ronalds lived long enough to see his prophecies come to fruition and to receive belated official recognition: in 1870, three years before he died, he was knighted by Queen Elizabeth I, for his 'early and remarkable labours in telegraphic investigations'. Part ? Matching a. stable b. frankness c. send d. give in e. special 14、 dispatch 15、 motionless 16、 succumb 17、 blandness 18、 peculiar a. continuous b. dedicate c. relative d. creative e. attitude 19、 devote 20、 ingenious 21、 successive 22、 comparative 23、 perspective Part ? Actual Test You should spend about 20 minutes on Questions 1-13, which are based on Reading Passage 1 below. Paul Nash Paul Nash, the elder son of William Nash and his first wife, Caroline Jackson, was born in London on 11th May, 1889. His father was a successful lawyer who became the recorder of Abingdon. According to Ronald Blythe: 'In 1901 the family returned to its native Buckinghamshire, where the garden of Wood Lane House at Iver Heath, and the countryside of the Chiltern Hills, with its sculptural beeches and chalky contours, were early influences on the development of the three children. Their lives were overshadowed by their mother's mental illness and Nash himself was greatly helped by his nurse who, with some elderly neighbours, introduced him to the universe of plants.' Nash was educated at St. Paul's School and the Slade School of Art, where he met Stanley Spencer, Mark Gertler, C. R. W. Nevinson, Edward Wadsworth, Dora Carrington, William Roberts and Claughton Pellew. Unlike some of his contemporaries at the Slade School, Nash remained untouched by the two post-impressionist exhibitions organised by Roger Fry in 1910 and 1912. Instead, he was influenced by the work of William Blake. He also became a close friend of Gordon Bottomley, who took a keen interest in his career. Nash had his first one-man show, of ink and wash drawings, at the Carfax Gallery in 1912. The following year he shared an exhibition at the Dorien Leigh Gallery with his brother, John Nash. The art critic, Ronald Blythe, has argued: 'Due to the enthusiasm of Michael Sadler and William Rothenstein, the exhibition, though modestly hung on the walls of a lampshade shop and announced by a home-made poster, was a success.' Myfanwy Piper, has added: 'Nash had a noteworthy sense of order and of the niceties of presentation; his pictures were beautifully framed, drawings mounted, his studio precisely and decoratively tidy, and oddments which he collected were worked up into compositions.' On the outbreak of the First World War Nash considered the possibility of joining the British Army. He told a friend: 'I am not keen to rush off and be a soldier. The whole damnable war is too horrible of course and I am all against killing anybody, speaking off hand, but beside all that I believe both Jack and I might be more useful as ambulance and red cross men and to that end we are training. There may be emergencies later and I mean to get some drilling locally and learn to fire a gun but I don't see the necessity for a gentle-minded creature like myself to be rushed into some stuffy brutal barracks to spend the next few months practically doing nothing but swagger about disguised as a soldier in case the Germans poor misguided fellows—should land.' Nash enlisted in the Artists' Rifles. He told Gordon Bottomley: 'I have joined the Artists' London Regiment of Territorials the old Corps which started with Rossetti, Leighton and Millais as members in 1860. Every man must do his bit in this horrible business so I have given up painting. There are many nice creatures in my company and I enjoy the burst of exercise—marching, drilling all day in the open air about the pleasant parts of Regents Park and Hampstead Heath.' In March 1917 he was sent to the Western Front. Nash, who took part in the offensive at Ypres, had reached the rank of lieutenant in the Hampshire Regiment by 1916. Whenever possible, Nash made sketches of life in the trenches. In May, 1917 he was invalided home after a non-military accident. While recuperating in London, Nash worked from his sketches to produce a series of war paintings. This work was well received when exhibited later that year. As a result of this exhibition, Charles Masterman, head of the government's War Propaganda Bureau (WPB., and the advice of Edward Marsh and William Rothenstein, it was decided to recruit Nash as a war artist. In November 1917 in the immediate aftermath of the battle of Passchendaele Nash returned to France. Nash's work during the war included The Menin Road, The Ypres Salientat Night, The Mule Track, A Howitzer Firing, Ruined Country and Spring in the Trenches. Nash was unhappy with his work as a member of War Propaganda Bureau. He wrote at the time: 'I am no longer an artist. I am a messenger who will bring back word from the men who are fighting to those who want the war to go on for ever. Feeble, inarticulate will be my message, but it will have a bitter truth and may it burn their lousy souls.' However, as Myfanwy Piper has pointed out: 'The drawings he made then, of shorn trees in ruined and flooded landscapes, were the works that made Nash's reputation. They were shown at the Leicester Galleries in 1918 together with his first efforts at oil painting, in which he was self-taught and quickly successful, though his drawings made in the field had more immediate public impact. From April of that year until early in 1919 Nash was engaged on paintings commissioned by the Department of Information for the newly established Imperial War Museum... His poetic imagination, instead of being crushed by the terrible circumstances of war, had expanded to produce terrible images—terrible because of their combination of detached, almost abstract, appreciation and their truth to appearance.' In 1919 Nash moved to Dymchurch in Kent, beginning his well-known series of pictures of the sea, the breakwaters, and the long wall that prevents the sea from flooding Romney Marsh. This included Winter Sea and Dymchurch Steps. Nash also painted the landscapes of the Chiltern Hills. In 1924 and 1928 he had successful exhibitions at the Leicester Galleries. Despite this popular acclaim in 1929 his work became more abstract. In 1933 Nash founded Unit One, the group of experimental painters, sculptors, and architects which included Herbert Read, Edward Wadsworth, Henry Moore, Barbara Hepworth, Edward Burra, Ben Nicholson and Wells Coates. Nash also contributed to the Architectural Review and Country Life and wrote Shell Guide to Dorset 24. During the Second World War Nash was employed by the Ministry of Information and the Air Ministry and paintings produced by him during this period include the Battle of Britain and Totes Meer. His biographer, Myfanwy Piper, has argued: 'This war disturbed Nash but did not change his art as the last one had. His style and his habits were formed, and in the new war he treated his new subjects as he had treated those he had been thinking about for so long. His late paintings, both oils and watercolours, are alternately brilliant and sombre in colour with the light of setting suns and rising moons spreading over wooded and hilly landscapes.' Paul Nash died at 35 Boscombe Spa Road, Bournemouth, on 11th July 1946. —www.spartacus.schoolnet.co.uk 24、Complete the table below. Choose NO MORE THAN THREE WORDS from Reading Passage 1 for each answer. Write your answers in boxes on your answer sheet. Time Experience When Paul Nash studied at the Slade School of Art, he has his (1) , which showed his ink and wash 1912-1913 drawings. And one year later, he shared another exhibition with (2) , John Nash. At the beginning of the First World War, Nash considered to join the Army. Later, he really gave up painting and became a member of (3) In 1917, 1914-1917 he was also sent to (4) , but unfortunately two months later, he was released from the military service after a (5) . Nash was drafted as a (6) in WPB. Although he was not satisfied with the work, he had to admit the (7) he got from those works Later 1917- originated 1919 from work. He made his first efforts at (8) shown in 1918 and his (9) expanded to produce terrible image. From 1924 to 1929, Nash had two successful exhibitions. His work became more 1924-1933 abstract. In1933, he established (10) . 34、Do the following statements agree with the information given in Reading Passage 1? In boxes on your answer sheet, write TRUE if the statement agrees with the information FALSE if the statement contradicts the information NOT GIVEN if there is no information on this Nash was impressed by the work of William Blake instead of Roger Fry when he studied at the Slade School of Art. 35、 World War Two produced the same consequence to Nash's painting as World War One. 36、 His paintings during World War Two are all about nature, like the setting suns and rising moons. Read It on the Autobahn 'The discovery of slowness' by Sten Nadolny, translated by Ralph Freeman Canongate. You are invited to read this book review. A John Franklin (1786-1847) was the most famous vanisher of the Victorian era. He joined the Navy as a midshipman at the age of 14, and fought in the battles of Copenhagen and Trafalgar. When peace with the French broke out, he turned his attention to Arctic exploration, and in particular to solving the conundrum of the Northwest Passage, the mythical clear-water route which would, if it existed, link the Atlantic and the Pacific Oceans above the northern coast of the American continent. The first expedition Franklin led to the Arctic was an arduous overland journey from Hudson Bay to the shores of the so-called Polar Ocean east of the Coppermine River. Between 1819 and 1822, Franklin and his twenty- strong team covered 5550 miles on foot. Their expedition was a triumph of surveying—they managed to chart hundreds of miles of previously unknown coastline—but their inexperience in polar travel and inadequate supplies meant that the journey back to civilisation, across the 'Barren Ground', turned into a catastrophe. Food ran out while they were still days from safety, and the men were forced to eat lichen, their belts and their boots (which they boiled up to make leather soup). Nine men died of starvation. One of the French-Canadian guides, suspected of cannibalism, was executed. B There followed a career as a travel writer and salon-goer ('the man who ate his boots' was Franklin's tag-line), a second long Arctic expedition, and a controversial spell as Governor of Van Diemen's Land. Then, in May 1845, Franklin set off with two ships—the Erebus and the Terror—and 129 men on the voyage that would kill him. In July, the convoy was seen by two whalers, entering Lancaster Sound. Nothing more would be heard of it for 14 years. Between 1847 and 1859, more than thirty expeditions were dispatched in search of Franklin and his men. They explored thousands of miles of new land within the Arctic regions, and contributed to the development of sledge-travelling as a means of polar travel. The details are still uncertain, but it seems that in September 1846 in Victoria Strait, Franklin's ships were caught in pack ice north-west of King William Island. Franklin died of a stroke in 1847, and was interred in a crypt blasted in the ice. Twenty-four men perished in the motionless ships before, in 1848, the survivors struck out on foot over the ice. Almost all succumbed to hunger, scurvy or lead poisoning while trying to reach land. C In his personal correspondence and in his published memoirs, Franklin comes across as a man dedicated to the external duties of war and exploration, who kept introspection and self-analysis to a minimum. His blandness makes him an amenably malleable subject for a novelist, and Sten Nadolny has taken full advantage of this licence. Most important, he has endowed his John Franklin with a defining character trait for which there is no historical evidence: Langsamkeit ('slowness', or 'calmness'). D Slowness influences not only Franklin's behaviour, but also his vision, his thought and his speech. The opening scene of The Discovery of Slowness—Die Entdeckung der Langsamkeit depicts Franklin as a young boy, playing catch badly because his reaction time is too slow. Despite the bullying of his peers, Franklin resolves not to fall into step with 'their way of doing things'. For Nadolny, Franklin's fatal fascination with the Arctic stems from his desire to find an environment suited to his peculiar slowness. He describes Franklin as a boy dreaming of the 'open water and the time without hours and days' which exist in the far north, and of finding in the Arctic a place 'where nobody would find him too slow'. E These were all qualities which the historical Franklin possessed in abundance, and so Nadolny's concentration and exaggeration of them isn't unreasonable. Even as an adult, his slowness of thought means that he is unable to speak fluently, so he memorises 'entire fleets of words and batteries of response', and speaks a languid, bric-a-brac language. In the Navy, his method of thinking first and acting later initially provokes mockery from his fellow sailors. But Franklin persists in doing things his way, and gradually earns the respect of those around him. To a commodore who tells him to speed up his report of an engagement, he replies: 'When I tell something, sir, I use my own rhythm.' A lieutenant says approvingly of him: 'Because Franklin is so slow, he never loses time.' F Since it was first published in Germany in 1983, The Discovery of Slowness has sold more than a million copies and been translated into 15 languages. It has been named as one of German literature's twenty 'contemporary classics', and it has been adopted as a manual and manifesto by European pressure groups and institutions representing causes as diverse as sustainable development, the Protestant Church, management science, motoring policy and pacifism. G The various groups that have taken the novel up have one thing in common: a dislike of the high-speed culture of Postmodernity. Nadolny's Franklin appeals to them because he is immune to 'the compulsion to be constantly occupied', and to the idea that 'someone was better if he could do the same thing fast.' Several German churches have used him in their symposia and focus groups as an example of peacefulness, piety and self-confidence. A centre for paraplegics in Basle organises a regular Marsch der Langsamkeit (a 'march of slowness' or 'of the slow'), inspired by the novel. Nadolny has appeared as a guest speaker for RIO, a Lucerne-based organisation which aims to reconcile management principles with ideas of environmental sustainability. H A management journal in the U.S. described The Discovery of Slowness as a 'major event not only for connoisseurs of fine historical fiction, but also for those of us who concern themselves with leadership, communication and systems-thinking issues'. It's easy to see where the attraction lies for the management crowd. The novel is crammed with quotations about time-efficiency, punctiliousness and profitability: 'As a rule, there are always three points in time: the right one, the lost one and the premature one.' 'What did too late mean? They hadn't waited for it long enough, that's what it meant.' —London Review of Books 37、Reading Passage 2 has eight paragraphs, A-H. Which paragraph contains the following information? Write the correct letter, A-H, in boxes on your answer sheet. the effect of the novel The Discovery of Slowness had on modern-day management 38、 the character trait of Franklin that is not much based on facts 39、 the occupation of Franklin before he became a famous vanisher 40、 the reason of the popularity for the book The Discovery of Slowness 41、 the reason why Franklin died 42、Complete the summary below. Choose NO MORE THAN THREE WORDS from Reading Passage 2 for each answer. Write your answers in boxes on your answer sheet. Franklin is so (19) that he became the leading character in Sten Nadolny's novel, (20) Except for Franklin's own characters like his (21) to external duties of war and exploration, Nadolny added one more to him, namely, slowness. As the novel described, Franklin was often bullied by his (22) due to his slowness when he was a young boy. He even can not speak (23) Therefore, his hope was to find a place which can fit his (24) . After the novel was published in 1983, it was also translated into (25) People who loved the novel did not like the (26) of Postmodernity. Ronalds Section A Ronalds, Sir Francis (1788-1873), inventor of the electric telegraph and meteorologist, son of Francis Ronalds, a London merchant, and of his wife, Jane, daughter of William Field, was born in London on 21 Febrary 1788. Ronalds was educated at a private school at Cheshunt by the Rev. E. Cogan. At an early age he displayed a taste for experiment, and he acquired great skill later in practical mechanics and draughtsmanship. Under the influence of Jean Andre de Luc (1727-1817), whose acquaintance he made in 1814, he began to devote himself to practical electricity in Tilloch's Philosophical Magazine, one of which records an ingenious use of De Luc's 'electric column' as a motive power for a clock. Section B Ronalds's name is chiefly remembered as the inventor of an electric telegraph. Since 1753, when the first proposal for an electric telegraph worked by statical electricity was made by a writer signing 'CM' (said to be Charles Morrison) in the Scots Magazine, successive advances had been made abroad by Volta, Le Sage, Lomond, Cavallo, Salva, and others; but much was needed to perfect the invention. Section C In 1816, Francis Ronalds, then living at Upper Mall, Hammersmith, built in his back garden two frames to accommodate eight miles of wire for his new invention of an electrostatic telegraph. In used clockwork-driven rotating dials, engraved with letters of the alphabet and numbers, synchronised with each other, at both ends of the circuit. For the past three or four years, encouraged by the octogenarian Swiss meteorologist, Jean Andre De Luc, Ronalds had been enthusiastically experimenting with electrostatic clockwork devices. When someone desired to send a message he earthed the wire at his end at the moment when the dial indicated the desired letter. At he receiving end the pith balls would fall together when earthed and the recipient noted the letter showing on his dial at that moment. The system was slow and depended on the two dials staying in step, but Ronalds successfully transmitted and received letters over 150 metres of wire; later he succeeded in sending messages through eight miles of iron wire suspended above his garden in London. After sending messages along his wires on the frame, he developed another version in which the wires were enclosed in glass tubes buried in the ground. At each end of the line a clockwork mechanism turned synchronously revolving discs with letters on them. A frictional-electricity machine kept the wire continuously charged, while at each end two pith balls hung from the wire on silk threads, and since they were similarly charged from the wire they stayed apart. Ronalds's instrument was of real practical use, and the brilliant idea of using synchronously rotating discs, now employed in the Hughes printing apparatus, was entirely his own. The only defect in his invention was the comparative slowness with which a succession of symbols could be transmitted. Section D With communications between London and Portsmouth in mind, he believed his telegraph would work over distances of 800 km. In the same year, Ronalds wrote to offer his invention to the Admiralty. In fact, in 1806, Ralph Wedgwood submitted a telegraph based on frictional electricity to the Admiralty, but was told that the semaphore was sufficient for the country. In a pamphlet he suggested the establishment of a telegraph system with public offices in different centres. Francis Ronalds, in 1816, brought a similar telegraph of his invention to the notice of the Admiralty, and was politely informed that 'telegraphs of any kind are now wholly unnecessary'. John Barrow, Secretary to the Admiralty, replied that 'Telegraphs of any kind are now wholly unnecessary; and no other than the one now in use will be adopted.' (The one in use was a semaphore system.) Only a year after the end of the Napoleonic Wars, the Admiralty saw no need for improved communications, even though the semaphore was usable only in daylight and good weather. Section E After this disappointment, Ronalds set off for the continent. He travelled throughout Europe and the Eastern Mediterranean, taking notes, sketching and collecting scientific books between 1816 and 1823. He had begun collecting his large library of works on electricity and kindred subjects. The last activity formed the beginnings of the Ronalds Library, left in trust to the IEE (now the IET) after his death. In a small pamphlet published in 1823, Ronalds described his invention and listed some of its possible uses, 'Why should not government govern at Portsmouth almost as promptly as in Downing Street? Why should our defaulters escape by default of our foggy climate? Let us have Electrical Conversazione offices communicating with each other all over the kingdom if we can.' In 1825 he invented and patented a perspective tracing instrument, intended to facilitate drawing from nature, which he improved about 1828, and described in a work called 'Mechanical Perspective'. These instruments seem to be the only ones for which he took out patents. Section F However, Ronalds never patented his invention in electric telegraph. Ronalds seems to have made few or no practical contributions to science. In the meanwhile, one person did benefit from this work—Charles Wheatstone who saw the telegraph as a boy. When Charles Wheatstone was quite a child, his father had seen the Ronalds telegraph at work. Later, the invention of an electric telegraph had been marvellously developed by Wheatstone, who had seen many of the Hammersmith experiments, in conjunction with Mr. William Fothergill Cooke, and these two men together devised and patented in 1837 the first electric telegraph used publicly and commercially in England. When, in 1855, a controversy arose between Wheatstone and Cooke, though less fully, acknowledged the priority of Ronalds's work; until 1855 Ronalds's share in the invention had been forgotten by the public. Section G Early in 1843 Ronalds was made honourary director and superintendent of the Meteorological Observatory, which was then established at Kew by the British Association for the Advancement of Science. He began work on a system for registering meteorological data using photography and this time was awarded a grant to continue his work. A similar system was developed independently by Charles Brooke, aided like Ronalds by grants from the Royal Society, had invented independently about this time. But the British Association confirmed Ronalds's priority. This was the beginning of automatic, accurate recording of meteorological data and remained in use for some years after Ronalds's death. Section H Ronalds lived long enough to see his prophecies come to fruition and to receive belated official recognition: in 1870, three years before he died, he was knighted by Queen Elizabeth I, for his 'early and remarkable labours in telegraphic investigations'. —Ronalds 50、Reading Passage 3 has eight marked sections, A-H. Choose the correct heading for each section from the list of headings below. Write the correct number, ?-?, in boxes on your answer sheet. List of Headings ? The underestimation of Ronalds's contribution to telegraph ? The experiments Ronalds carried out on electrostatic telegraph ? The background of Ronalds ? The foundation of Ronalds's study in Europe—his unique technology with patent ? The final years of Ronalds ? The reason why Ronalds became famous ? Telegraph in the Admiralty ? Ronalds's invention and recognition in meteorology ? The failure in the application of Ronalds' telegraph ? Ronalds' disappointment with his country ? The introduction of Ronalds ? Having no patent in telegraph Section A 51、 Section B 52、 Section C 53、 Section D 54、 Section E 55、 Section F 56、 Section G 57、 Section H 58、Complete the summary below. Choose NO MORE THAN THREE WORDS from Reading Passage 3 for each answer. Write your answers in boxes on your answer sheet. There are two experiments carried out by Ronalds, one is built on (35) and draws on (36) with numbers and alphabets on them, while the other one is developed in (37) and uses (38) with letters on them and a (39) Although both of them got success, there is a drawback—like (40) . 答案 八年级地理上册填图题岩土工程勘察试题省略号的作用及举例应急救援安全知识车间5s试题及答案 : Part ? English-Chinese Translation 1、精神疾病 2、个人展 3、自制的 4、诗意的想象力 5、山坡景色 Part ? Translation 6、他们的生活由于母亲的精神疾病而变得灰暗，而纳什本人深受其保姆和年长的邻居的帮助，是他们把纳什带进了植物的世界。 7、由于迈克尔?萨德勒和威廉?罗森斯坦的热情参与，尽管展览的作品仅仅被挂在灯罩店的墙壁上，海报也是自制的，但展览还是很成功。 8、这次战争干扰了纳什，不过没有像上一次那样改变了他的艺术风格。他的风格和他的习惯已经形成，在新的战争中，他对待他的作品对象如同对待他已经思考很长一段时间的东西一样。他后期的油画和水彩画交替体现出明亮和昏暗的风格，这种风格 表 关于同志近三年现实表现材料材料类招标技术评分表图表与交易pdf视力表打印pdf用图表说话 pdf 现在日落和月出时映在树木及山坡的光上面。 9、这些都是历史上的富兰克林所拥有的特点，所以纳多尼对这些特征的关注和夸大也并非不合理。 10、它已被命名为德国文学中20部“当代经典作品”之一，同时它也已被欧洲压力团体和机构采纳，成为可持续发展、新教教会、管理科学、驾车政策与和平主义相关目标的一本手册和宣言。 11、他在1814年认识了简?安德烈?德?吕克(1727,1817)，并且在他的影响下开始致力于电力应用方 面的研究。还在蒂洛赫的《哲学杂志》发表了一些 论文 政研论文下载论文大学下载论文大学下载关于长拳的论文浙大论文封面下载 ，其中一篇还 记录 混凝土 养护记录下载土方回填监理旁站记录免费下载集备记录下载集备记录下载集备记录下载 了如何利用德?吕克的电动柱作为动力制作出一座时钟。 12、在1825年，为了写法方便，他发明了通过透视法素描的描摹工具，并申请专利，并在1828年改进了这项在一件作品中被称为“机械透视法”的技术。似乎他只把这些发明申请了专利。 13、终于，罗纳德还是活到看到他预言实现并接受了官方迟来的认可:在1870年，也就是他死前三年，因为他“为电报通讯发明的早期和卓越的付出”，而被伊丽莎白一世授予骑士爵位。 Part ? Matching 14、 15、 16、 17、 18、 19、 20、 21、 22、 23、 Part ? Actual Test 24、first one-man show 第三段第一句Nash had his...Gallery in 1912. 均为原词。 题 快递公司问题件快递公司问题件货款处理关于圆的周长面积重点题型关于解方程组的题及答案关于南海问题 目针对1912,1913年发生的事情。首先应该根据1912来定位，初步定位至第二段和第三段。此题目考查的是在1912年Nash的一次展览，因为此题目之后的定语从句中给出了所展览的内容，再根据展览内容进一步定位至第三段第一句，可知first one-man show。 25、his brother 第三段第二句The following year...John Nash. the following year=one year later 此题目的考查内容为1913年Nash和谁一起再次举办展览。根据前一道题目的定位信息继续向后阅读便可得到答案，是和his brother一起。本题也可以用人名John Nash进行定位，定位词前便是答案。 26、(the)Artists' Rifles 第五段第一句Nash enlisted in the Artists' Rifles. enlist in=a member of 接下来的几道题目考查的是纳什在一战期间的经历。此题目考查的是他第一次加入的军队组织的名称。根据题干中的the First World War定位到第四段，从这段开始，往后几段都是在叙述一战期间Nash所经历的事情。题干中和第五段引号内都提到了give up painting，而他这样做的原因是enlisted in the Artists' Rifles。所以Artists' Rifles便是答案。 27、(the) Western Front 第六段第一、二句In March 1917...by 1916. 均为原词。 此题目考查的是1917年Nash被送去什么地方。根据前一道题目对应的原文继续向后阅读，可找到be sent to原词，可知他后来被送到了the Western Front。 28、non-military accident 第六段第四句In May...a non-military accident. invalided=release from the military service 此题目考查的是Nash退役的原因。由题干可知，退役时间比上题中事件的发生晚两个月，根据这一时间线索，很容易定位到In May, 1917...，原文提到的原因为a non-military accident。 29、war artist 第七段第一句As a result of...as a war artist. recruit=draft 接下来的几道题目考查的是1917年下半年到1919年Nash的经历。此题目考查的是Nash在WPB担任的职务。根据题干中的时间以及大写单词WPB定位至第七段，第一句提到当时其职位就是war artist。 30、reputation 第八段第三句However, as...made Nash's reputation...' However=Although 此题目考查战争艺术家这段经历对Nash的什么方面起到了积极的作用。虽然Nash不喜欢战争艺术家这一工作，但他从工作作品中获得了一些益处。回到原文，根据Myfanwy Piper的话可以得出作品对Nash的reputation是有帮助的。 31、oil painting 第八段第三句引文中第二句They were shown...public impact. 均为原词。 此题目考查的是Nash致力于的一项工作，并且这一工作成果在1918年展出。根据题干中的时间定位至第八段第三句引号内。答案即为oil painting。 poetic imagination 32、 第八段第三句引文中最后一句His poetic imagination...truth to appearance.' 均为原词。 此题目考查的是与上题并列的一项内容，并且是Nash得以扩展的一项技术或能力。回到原文继续阅读，由于基本都是原词，所以可轻松得到答案poetic imagination。 33、Unit One 第十段第二、三句In 1933 Nash...Shell Guide to Dorset (1936). found=establish 此题目考查的是1933年Nash建立的一个组织机构的名称。根据题干中的时间定位至第十段，答案可以轻松得出是Unit One。 34、TRUE 第二段第二、三句Unlike some of...of William Blake. influence=impress 此题目考查信息为两个艺术家作品对Nash的影响。根据大写人名定位，可以发现原文提到他没Roger Fry的影响，而是受William Blake所影响，刚好同题目关系吻合。所以TRUE。 受 35、FALSE 第十一段第二句引文中第一句This war disturbed...last one had. the last one=World War One 此题目考查信息为第一次世界大战和第二次世界大战对Nash的影响。题目说两次影响力度是一样的，而原文却提not changed his art as the last one had，即二战没有一战影响力度大，与题目矛盾。所以FALSE。 36、NOT GIVEN 第十一段第二句引文中最后一句His late paintings...hilly landscapes. 均为原词。 题目考查信息是Nash在第二次世界大战期间的创作内容是否仅仅局限在自然景观方面。回到原文可以发现虽然自然景观的表达原文可看到原形，但无法得出Nash当时所有创作的方向。所以NOT GIVEN。 37、 H段第二句至第四句It's easy to see...what it meant.' 均为原词。 题目考查信息为小说对现代管理的影响。回到原文在尾段可以看到novel和management原词，本段引号的内容体现了题目信息。所以H。 38、 C段最后一句Most important...('slowness', or 'calmness'). no historical evidence=not much based on facts 题目考查信息为富兰克林的一个性格特点，而这一性格特点没有事实依据。回到原文寻找对富兰克林性格特点描写的内容，可以在C段段尾找到character trait原词，本句谈到Nadolny赋予他笔下的富兰克林的性格特点，而这一性格特点没有历史依据，与题干所述一致。所以C。 39、 A段第一、二句John Franklin...Copenhagen and Trafalgar. as=occupation 此题目考查信息为富兰克林担任航海家之前的职业。往往这样的信息在文章开始的背景介绍中给出，根据famous vanisher原词，定位至A段，可以在此段找到相关信息，他14岁就参加了海军。所以A。 40、 G段第一句The various groups...culture of Postmodernity. take up=popularity 此题目考查信息为小说流行的原因。此题目答案必定在小说内容介绍之后给出。根据这一定位特点回到原文可以在G段段首看到相关信息，即人们都不喜欢快节奏文化。所以G。 41、 B段倒数第三句Franklin died of...in the ice. 均为原词。 此题目考查信息为富兰克林死亡的原因。回到原文在B段末尾可以看到他在第二次航海中逝世，而死亡原因是中风。所以B。 42、bland C段第二句His blandness makes him...of this licence. subject=leading character 此题目考查信息为富兰克林的一个什么特点使其成为Nadolny小说的主人公。根据题干信息和大写人名定位至C段，其中提到了富兰克林的直爽使其成为小说家笔下的人物。由于空格部分是is后的表语，需填形容词，因此要把名词blandness变为形容词。所以bland。 43、Discovery of Slowness D段第二句The opening scene...is too slow. 均为原词。 此题目考查信息为小说名称。根据上一题的原文继续往下读，可知对富兰克林的描述内容，而描述的载体就是小说The Discovery of Slowness。由于答案字数限制，可把第一个单词the省略。 44、dedication C段第一句In his personal...to a minimum. 均为原词。 此题目考查信息为小说中富兰克林除slowness之外的另一个性格特点，应该填入名词。根据原词external duties of war and exploration，可知所填词意思应与dedicated一致，由于所填词要为名词，所以dedicated转为其名词形式dedication。 45、peer D段第二句The opening scene of...too slow. 均为原词。 此题目考查信息为小说中提到富兰克林儿由于反应慢而遭受谁的欺负。回到原文，可以看到在小说开场介绍中提到被伙伴们欺负。所以答案peer。 46、fluently E段第二句Even as an adult...bric-a-brac language. unable=can not 此题目考查的是小说中富兰克林说话的特点。这道题目应该是这一组中最难的一题，因为它所对应的原文与前一道题目的相隔太远。但根据题目中的定位词，尤其是speak原词，就可以较快定位到相应的原文，答案得出:fluently。 47、(peculiar) slowness D段第四句For Nadolny...his peculiar slowness. desire=hope; environment=place; suit to=fit 此题目考查信息为富兰克林在小说中的愿望——希望找到一个适合他什么的地方。根据定位词定位后，可找到答案:peculiar slowness。 48、15 languages F段第一句Since it was first...15 languages. 均为原词。 此题目考查信息为小说出版之后被翻译的情况。根据题干中的时间1983年以及translate可以定位至F段，其中提到小说被翻译成了15种语言。所以15 languages便是最终答案。 49、high-speed culture G段第一句The various groups...of Postmodernity. take up=love; dislike=did not like 此题目考查信息为喜欢这本小说的人不喜欢后现代主义中的什么。根据Postmodernity轻松定位至G段，原文中提到喜欢这本小说的人的共性:不喜欢后现代主义的快节奏文化。 50、 Section A Ronalds, Sir Francis...power for a clock. 细节信息=background 整个段落简单对Ronalds的家庭、职业以及学术和专业背景进行了介绍。所以?。 51、 Section B第一句Ronalds's name...an electric telegraph. name is remembered=famous 段首句点明Ronald这个名字被人铭记主要是因为他是电报的发明人，第二句又说明是他完善了这项发明。所以?。 52、 Section C第一段第一句In 1816, Francis Ronalds...an electrostatic telegraph. Section C第二段第一句After sending...in the ground. 实验细节和实验所用材料的介绍=experiment 此题目答案来自两个自然段的段首句。第一个自然段讲述了Ronalds对于静电电报所做的一项研究;而阅读到第二个自然段首句时，可以发现这是一个过渡句，提到Ronalds又发明了另一个版 电报实验。因此?。 本的电报。所以整部分都在谈论Ronalds的 53、 Section D第五句Francis Ronalds...wholly unnecessary'. wholly unnecessary=failure 此题目答案来自于段中，所以相对较难回答。根据文中信息可以得出，Ronalds将其研究成果提交给海军部，而结果是海军部说“电报是完全没有必要的”。这说明Ronalds的电报发明没有得以应用。所以?。 54、 Section E第一句After this disappointment...for the continent. Section E倒数第二句In 1825...'Mechanical Perspective'. 均为原词。 此题目答案来自段落首尾句。段首句提出失望的Ronalds去了欧洲大陆，段尾接着提到1825年Ronalds就透视法素描的描摹工具申请了专利，之后又被改名为机械透视法。根据首尾信息可以得出，此段谈论的是Ronalds的欧洲之行对其新发明的影响。所以?。 55、 Section F第一、二句However, Ronalds never...contributions to science. never/few/no=underestimation 此题目答案来自于段首句。根据原文信息，可以发现Ronalds在电报领域的不受认可，甚至在段尾提到了被人遗忘。所以能与之对应的只有?。 56、 Section G第二句He began work...continue his work. Section G第四、五句But the...after Ronalds's death. meteorological=meteorology 此题目答案来自于段中以及段尾句信息。根据段中提到的内容，了解到Ronalds开始着手建造一个使用摄影记录气象数据的系统。接着在段尾又提到他的工作被英国协会认可，而且他的技术在他死后依然被使用。所以本段说明了他在气象领域的成就和被认可度。因此?。 57、 Section H Ronalds lived long...telegraphic investigations'. before he died=final years 由于最后一段仅一句话，所以考生只需要把握这句话的内容就可以得出最终答案。阅读时可以发现其中谈论的是Ronalds死前人们对他的认可。所以?。 58、(two) frames Section C第一句In 1816, Francis...electrostatic telegraph. 均为原词。 这组题目考查的主要内容是Ronald进行的关于电报的两次实验。此题目考查的是第一次实验的材料。根据前面的段落主旨题，可以知道实验的对应内容在Section C部分，而对应段落首句中就提到了实验材料:two flames。 59、clockwork-driven rotating dials Section C第二句In used clockwork-driven...the circuit. use=draw on 此题目考查的是第一次实验的使用工具，同时在空格后面给出了限定内容:with numbers and alphabets，而且之后的them说明所填写内容应该为复数名词。根据这些信息可以锁定答案clockwork-driven rotating dials。 60、glass tubes Section C第二段第一句After sending messages...in the ground. 均为原词。 此题目考查的是第二次实验的材料。根据Section C的第二段首句提出的“另一个版本的电报”，可以得出此题目答案应从本段开始寻找。第一句就提到电线被密封在埋入地下的玻璃管中，由此可知glass tubes。 61、revolving discs Section C第二段第二句At each end...letters on them. 均为原词。 此题目考查的是第二次实验的使用工具，即字母在什么上面，根据上一题的原文继续往下阅读，发现letters在revolving discs上。 62、frictional-electricity machine Section C第二段第三句A frictional-electricity...they stayed apart. 均为原词。 由于此题目与前一题形成并列关系，说明此题目考查信息依然为此次实验的使用工具，继续向后阅读可以发现之后一句的句首提到了一个机器，而且之前的冠词a也与题目吻合，同时它也被用在了这次实验之中。所以此题目frictional-electricity machine。 63、comparative slowness Section C第二段第五句The only defect...be transmitted. defect=drawback 此题目考查的是两次实验的不足。根据drawback一词可以锁定答案来自于段尾。而文章中唯一提到的一个缺点就是comparative slowness。