MILAB 业绩

MILAB USERS （MILAB 部分用户及使用感受） With thousands of Milab mics in studios all over the world, there is, of course, no way for us to know of even a fraction of the artists, producers and engineers who have recorded or performed live with Milab microphones. This list contains some of the people that we do know are using, or have used, our products. This does not imply endorsement, unless otherwise noted. （随着成千上万的 Milab 话筒在全球的普遍使用，当然，我们没办法知道是谁在录制或现 场演出正在用 Milab 话筒，即使是某些著名艺术家，制片人，音响 工程 路基工程安全技术交底工程项目施工成本控制工程量增项单年度零星工程技术标正投影法基本原理 师。这个列 表 关于同志近三年现实表现材料材料类招标技术评分表图表与交易pdf视力表打印pdf用图表说话 pdf 包含 的是我们知道正在使用或已经使用过我们产品的艺术家及音响工程师。这并非代言，属使用 感受。） ABBA - Group – Sweden（ABBA—组合—瑞典） Alfredo Malabello - Artist – Australia（Alfredo Malabello-艺术家-澳大利亚） Several Milabs used for his 2009 album（在他们的 2009 专辑中用到了一些 Milab 话 筒） Alison Burns - Artist – UK（Alison Burns-艺术家-英国） "My Milab microphone comes with me to all my concerts. It almost feels invisible, whilst adding that magic ingredient to my vocal sound." “我的 Milab 话筒跟随我的所有演唱会。我几乎感觉不到它的存 在，但同时它为我的嗓音提供神奇的声音。” Alison uses an LSR-3000 for live vocals. （Alison 用 Milab LSR-3000 话筒进行现场演唱） American Hi-Fi - Group – USA（美国 Hi-Fi –组合-美国） ”The LSR-3000 is a reliable, fail-safe microphone that is one of my go-to tools for both studio work and live performances.” – Stacy Jones, lead vocalist “LSR – 3000 是可靠的伙伴，是我去到录音工作室工作，并为 现场表演的工具。”– 斯泰西.琼斯，主唱 Anders Muhr – Engineer – Sweden （Anders Muhr-音响工程师-瑞典） Andreas Scholl - Artist – Germany（Andreas Scholl-艺术家-德国） (World-renowned countertenor)（世界著名男高音） "To me this combination of the fantastic 'life-like' quality of the SRND combined with the enormous flexibility it brings to surround AND stereo-recordings makes it truly one of my favourites." （SRND360 环绕声话筒对我来说，是神奇的，它带给我极大的灵活性和栩栩如生的声音 品质，不管是用它来做环绕声录音还是立体声录音，都是我的最爱） Andrew Bruce - Sound designer - UK（Andrew Bruce-声音 设计 领导形象设计圆作业设计ao工艺污水处理厂设计附属工程施工组织设计清扫机器人结构设计 师-英国） (Mamma Mia, Les Miserable, Miss Saigon etc.)（电影：Mamma Mia, Les Miserable, Miss Saigon 等） Ane Brun - Artist – Norway（Ane Brun-艺术家-挪威） Norwegian singer/songwriter Ane Brun has been using Milab microphones exlusively on tour the last couple of years. She uses the LSR-3000 for vocals. （挪威歌手/词曲作者阿内布伦一直采用 Milab 话筒多年。她演唱时用 LSR - 3000。） Anti Fitness Club - Group - Hungary （Anti Fitness Club-组合-匈牙利） B. Larry Gittens - Artist – USA （B. Larry Gittens-艺术家-美国） (Band leader for Stevie Wonder) （Stevie Wonder 乐队主唱） "You know, Stevie (Wonder) wants perfection, in his music and the equipment he uses. Take microphones, for example, where I've found a perfect one for him and for the whole Wonderband. It's made in Sweden by Milab." “你知道，Stevie (Wonder)希望在他的音乐录制中使用最完美的 设备。例如，就拿麦克风来说，当我寻找最适合 Wonderband， 声音最完美的话筒时，瑞典制造的 Milab 成了我的最佳选择。” Backyard Babies - Group – Sweden （Backyard Babies-组合-瑞典） Several Milabs used on tour - VM-44:s, DC-96B:s, DC-196:s and the BDM-01 （用到的话筒包括：. VM-44、DC-96B、 DC-196 和 BDM-01） Barry Hufker - Engineer/Production manager - USA (Professor of audio production at Webster University) （Barry Hufker-音响工程师/产品经理-美国） Matched pair DC-196:s. （用到的话筒 DC-196） Barry Rudolph - Engineer – USA (Barry Rudolph-音响工程师-美国) Ben Folds - Artist - USA （Ben Folds-艺术家-美国） Bil VornDick - Producer – USA（Bil VornDick-制作人-美国） (Multiple Grammy winner. Worked with Alison Krauss, Bob Dylan, James Taylor etc…) （多项格莱美奖得主。曾与 Alison Krauss，鲍勃迪伦，詹姆斯.泰勒等合作..）. Bo Kaspers Orkester - Group - Sweden （Bo Kaspers Orkester-组合-瑞典） Milab mics almost exlusively on tour. （Milab 话筒在巡回演唱会使用） Bob Dylan - Artist - USA （Bob Dylan-艺术家-美国） LC-25 for live vocals. 用 LC-25 进行现场演唱 Bobby Aitken - Sound designer - UK （Bobby Aitken-音响工程师-英国） (Mamma Mia, Grease, Showboat etc.) （主要作品：Mamma Mia, Grease, Showboat 等） Bruce Swedien - Engineer - USA （Bruce Swedien-音响工程师-美国） "The VIP-50 is the first microphone to come along in over a decade that I would consider one of my first choices for vocals. I just love the sonic clarity." "For Chaka Khan, I used one of my new Milab VIP-50s, which I consider to be one of the most significant new vocal recording microphones in a decade. Because it has a large capsule, there is a good deal of proximity effect, which can be used to good effectiveness when recording lead vocals." “我和 VIP-50 话筒一起走过了十多年，我认为首先选择它的原因 是声音，我很喜欢那声音的清晰度。” “对于 Chaka Khan，我用新的 Milab VIP- 50 话筒，我认为它 是最出色的声乐录音话筒之一。它可以用来对主唱进行录音并且 效果非常好。” Carmen Fenk - Artist - Switzerland （Carmen Fenk-艺术家-瑞士） LSR-3000 for live vocals. （用 LSR-3000 进行现场演唱） Cerberus Shoal - Group - USA （Cerberus Shoal-组合-美国） Chad Franscoviak - Producer/Engineer - USA (John Mayer) （Chad Franscoviak-音响工程师-美国 "It's a great snare mic." (On the) （VM-44 是非常好的小型话筒） Chaka Khan - Artist - USA （Chaka Khan-艺术家-美国） VIP-50 for vocals. （用 VIP-50 进行演唱） Chris Miley - Engineer – UK（Chris Miley-音响工程师-英国） "The Milab microphone (LSR-2000) exhibits a smooth frequency response with no harsh edge to the upper frequencies, yet enough HF air to capture the clarity of the performance. Output is very strong: having begun by setting a gain structure suitable for comparable stage condensers I then had to pull back the level by some 4 or 5dB in order to sit the vocal in the mix without overpowering the guitar. Feedback rejection is also excellent, and again I found myself in the satisfying position of being able to reduce my initial level in the monitor mix. The show in question was a vocal/guitar jazz duo, and thanks to the quality of the musicians the mix was relatively straightforward in this situation, but the quality of the microphone really enhanced the the warm midrange of Alison's voice. I can also envisage the Milab being a useful tool in more demanding situations: for female vocalists in larger jazz bands or the rock world, and also as a spot mic for soloists in classical choral work." “Milab（LSR- 2000）麦克风具有细腻平滑的频率响应，极高的解析度。麦克风灵敏度很 高，在调音台话筒前级输入设置时我必须将其增益衰减 4 到 5 分贝，避免掩蔽掉声压较小 的吉他声音。在满足混音电平的基础上降低了基准电平，所以反馈抑制也非常好。爵士乐的 乐器组合相对简单，声压较低的是声乐和吉他。LSR- 2000 对声乐的品质表现确实非常突 出，尤其对艾莉森（Alison's）那温暖的中频音色更是表现的淋漓尽致。在较高 标准 excel标准偏差excel标准偏差函数exl标准差函数国标检验抽样标准表免费下载红头文件格式标准下载 要求的 音乐作品录制或演唱中， Milab 麦克风是最有用的工具：即可作为女歌手在大型爵士乐或 摇滚乐中的主唱麦克风，也可作为现场古典合唱作品中的领唱麦克风。” Chris Murphy - Engineer – USA（Chris Murphy-音响工程师-美国） (Nominated for WAMA 'Best Studio Engineer' - 2004, 2006, 2007, 2008)（（2004， 2006，2007，2008 提名为 WAMA'最佳工作室音响工程师 -） "They are amazing sounding microphones. Milab DC-96s can capture punch and transients with a transparency that will surprise you. While using this mic, other engineers have walked through the control room, stopped, listened, and then asked, 'Wow! What mic is THAT?!?!?!' When it comes to recording acoustic instruments, this is one of the best microphones available. Guitar, mandolin, piano, whatever! Stunning clarity with lots of punch!" “他们是令人惊奇的麦克风。Milab 的 DC - 96s 可以捕捉到活力和瞬态的通透性，将令您 惊喜。在使用这个麦克风录音时，其他工程师经过控制室，停了下来，聆听，然后问道，' 哇！这是什么麦克?!?!?!' 吉他、曼陀林、钢琴，无论拾取什么样的乐器！都能得到惊人的 清晰度，提升作品活力！” Dan Healy - Engineer – USA（Dan Healy-音响工程师-美国） (Grateful Dead)感恩而死乐队成员 "The best sounding microphone available for live vocals. Don’t leave home without it." (On the LC-25) “最好的拾取现场声的麦克风。即使离开家也得带着它。” LC-25 Claes Jansson - Artist - Sweden （Claes Jansson-艺术家-瑞典） Dan Hylander - Artist - Sweden （Dan Hylander-艺术家-瑞典） LSR-3000 on tour. 巡回演出中使用 LSR-3000 Darkane - Group – Sweden Darkane - 组合-瑞典 Peter Wildoer (drums) says: "I'm using the swedish microphones Milab when I'm recording my drums. They are the cutting edge of studio mics and I'm very happy to record with them. The drums sound great through these high quality microphones! Especially the VM-44 mics works perfect for almost all drums and cymbals, the perfect choice for drum recording." Peter Wildoer（鼓手）说：“我录音时使用的是瑞典制造 的麦克风，Milab 话筒是最前沿的录音工作室话筒，我非常 高兴能用它们录制我的音乐，通过这些高品质话筒使我的鼓 声变的很好听，特别是 VM – 4 4 话筒它几乎适用于所有 的鼓和镲拾音，对鼓的拾音非常完美。” Dave Kob - Engineer – USA （Dave Kob-音响工程师-美国） (Sting, Fleetwood Mac, Madonna, Janet Jackson etc… （合作歌手有 Sting, Fleetwood Mac, Madonna, Janet Jackson 等） Don Zientara - Producer/Engineer - USA （Don Zientara-作曲家/音响工程师-美国） Donald Harrison's Heroes - Group - USA （Donald Harrison's Heroes-组合-美国） Dregen - Artist – Sweden （Dregen-艺术家-瑞典） (Guitarist for Backyard Babies and formerly for The Hellacopters) （Backyard Babies 的吉他手，前身为 Hellacopters） DC-196 for studio work. 音乐工作室工作用 DC-196 Electric Boys - Group - Sweden （Electric Boys-组合-瑞典） Erik Kowarski - Producer - Australia Erik Kowarski-作曲家-澳大利亚 "As a sound recordist and fiddle player I have always been disappointed with my own sound. With the VIP-50, I now recognise the sound of my fiddle for the first time." “作为一个录音师和专业小提琴乐手，我一直对我演奏时候的声音感到失望。使用了 VIP – 50 麦克风，我才第一次真正意识到这才是我小提琴的声音。” Fleetwood Mac - Group - USA （Fleetwood Mac-组合-美国） Gary Lux - Engineer – USA（Gary Lux-音响工程师-美国） (Manhattan Transfer, Aaron Neville, Janet Jackson etc…) （合作过的歌手 Manhattan Transfer, Aaron Neville, Janet Jackson 等） "With (Manhattan) Transfer, vocals are the deal. I was able to capture a 3-dimensionality feel about the vocal using the VIP-50. It’s a real dichotomy to me. Milab managed to get the warmth of an old ribbon mic as well as the pristine top end of a new generation transistor mic into the one microphone. When you’re recording great singers you need a microphone that is up to the task. That’s why on the Manhattan Transfer album I used the VIP-50. This is a great microphone!" “跟（Manhattan)Transfer 合作时，使用 VIP – 50 为主唱拾 音，我好象能捕捉到他的声带 3 维的感觉。Milab 设法用新一代 电容话筒去还原原始的动圈话筒那些声音温暖的线条。当你用麦 克风去拾取一个伟大的歌手的声音时，它绝对能够胜任这份工作。 这就是为什么在 Manhattan Transfer 专辑中我用 VIP- 50 的原 因。这是一个伟大的话筒！” Gavin Tempany - Engineer – Australia （Gavin Tempany-音响工程师-澳大利亚） (Eskimo Joe, Missy Higgins) （合作过的歌手有 Eskimo Joe, Missy Higgins） "I used the LSR Omni's in a recent live recording for Eskimo Joe & they sparkled." （我在录制 Eskimo Joe 的专辑时用 LSR 全指向话筒） Gino Vannelli - Artist - Canada （Gino Vannelli-艺术家-加拿大） Grateful Dead - Group - USA （Grateful Dead-组合-美国） Hellacopters - Group - Sweden（Hellacopters-组合-瑞典） Used almost nothing but Milab mics on their farewell tour in 2008 （2008 告别演唱会时用的话筒全部是 Milab） Human nature - Group - Australia （Human nature-组合-澳大利亚） James Hewgill - Engineer – Australia （James Hewgill-音响工程师-澳大利亚） (Dionne Warwick, James Morrison, José Carreras etc…) （合作过的歌手有 Dionne Warwick, James Morrison, José Carreras 等） "My favourite Milab would have to be the one I select for what I'm doing at the time! There seems to be a suitable Milab microphone for almost any situation." “我最喜欢 Milab 的原因是无论什么样的拾音场合都能适用， Milab 似乎是一个无所不能的话筒。” James Morrison - Artist - Australia James Morrison-艺术家-澳大利亚 "The VIP-50 was fantastic! The sound we got both on stage and for the recording with Lalo Schifrin and the Sydney Symphony Orchestra was great. Our engineer Richard Lush (ex Abbey Road) was particularly impressed and those involved in the recording at the Sydney Opera House studio said they loved it." “VIP- 50 的声音太棒了！拉罗塞富林和悉尼交响乐团都是非常好 的乐团，我们负责现场及录音。我们的工程师理查德茂盛（还有 艾比路）对 Milab VIP-50 麦克风拾取的声音印象尤其深刻，并把 它们用在悉尼歌剧院音响工作室，他们说很喜欢它。” Jamie Meyer - Artist – Sweden（Jamie Meyer-艺术家-瑞典） (Winner of Best Singer/Songwriter of The Year, Los Angeles Music Awards 2008) （2008 年度洛杉矶音乐奖最佳作曲和歌手 "Big stages or small clubs - My Milab Microphone is something I couldn't live without when I'm on tour. One of many skills with the Milab microphone is that it has a wider range of picking up your voice but still makes the sound crystal clear. As a singer/songwriter, telling people stories, that's what I'm looking for in a microphone. Milab is the most comfortable microphone to use live and sound engineers I've worked with across the U.S, Sweden & Norway couldn't disagree." “不管是大舞台还是小俱乐部 - 我的 Milab 话筒一直跟随着我， 它拾音范围广，声音晶莹剔透。作为一名歌手/词曲作者，我能用 我的故事告诉人们，这就是我想要的麦克风。我曾在美国，瑞典 和挪威工作 Milab 的声音都会让音响工程师满意。” Jan-Eric Persson - Engineer - Sweden Jan-Eric Persson-音响工程师-瑞典 Jan-Eric Persson has won several awards for his achievments in sound recording. He is the owner of the renowned record company Opus 3 and many of his recordings are considered as reference albums. Jan-Eric is well known for being a pioneer in surround recording. He uses the Milab VIP-50 extensively. 埃里克佩尔森他在录音界的成就是已经赢得了的多个奖项。他是 著名的唱片公司 OPUS 3 的录音师并且许多录音专辑的制作者。 埃里克是众所周知的环绕声录制的先驱者。他最常用的话筒就是 Milab VIP- 50。 Jeff Buckley - Artist – USA Jeff Buckley-艺术家-美国 Milab VIP-50 for studio vocals. 工作室人声拾取用 Milab VIP-50 Jill Johnsson - Artist - Sweden Jill Johnsson-艺术家-瑞典 Jim Tract - Production manager/Engineer - USA Jim Tract-作曲家/音响工程师-美国 "For a long time we had been using a (Telefunken) 251 on the Pointers, and on the last album switched to a (AKG) C12. During the test we put up a 251, a C12 and the VIP-50 to check which was the best mike for the girls. Within 30 seconds the test was over - we recorded all the vocals on the album the the VIP-50." "From previous experience working with The Pointer Sisters, we narrowed down the mike choice for Michael (McDonald) as follows: the Milab VIP-50, a Telefunken 251 and an AKG C12. We put up all three mikes and could make AB comparisons in the control room. The difference was astronomical. There is no question as to which was the best one: the Milab VIP-50 won the test with Michael hands down. … A clarity, but without the mike being too crisp or strange sounding, The VIP-50 still held the 'warmth' and the 'breathiness' plus the top- and bottom-end response; it sounded clean, crystal clear and right in your face! … There was no contest. We have used nothing else on vocals since that day." “长期以来，我们一直在使用（Telefunke）的 251 话筒，并在最后一张专辑中使用 AKG C12。测试过程中，我们提出了分别用一个 251，1 个 C12 和一个 VIP-50，对一个女孩的 演唱进行拾音。最终我们专辑中采用的所有人声都是有 VIP- 50 所记录的。” “总结先前录制 Pointer Sisters 的 经验 班主任工作经验交流宣传工作经验交流材料优秀班主任经验交流小学课改经验典型材料房地产总经理管理经验 ，我们缩小了范围选择如下：Milab VIP- 50， Telefunke 251 和 AKG 的 C12，我们提出了三个麦克风，可以使 AB 方式拾音进行比较 研究。它们之间的差距是很大的，但是没有答案说哪种话筒是最好的。Milab VIP- 50 的数 据却赢得了与其他话筒数据的比较。VIP- 50 的声音'温暖'和柔和，它听起来干净，晶莹剔 透，。我们从那天开始录制人声就没用过其他的话筒。“ Joe Vannelli - Producer – Canada （Joe Vannelli-作曲家-加拿大） (Gino Vannelli, Chaka Khan, Marylin Scott, Brenda Russell etc…) （为 Gino Vannelli, Chaka Khan, Marylin Scott, Brenda Russell 等谱曲） Milab VIP-50 and PML DC-63:s in his studio. （在他的工作室中使用的 Milab VIP-50 和 PML DC-63） Johan Molund - Engineer – Sweden （Johan Molund-音响工程师-瑞典） "It is truly an amazing microphone that pretty much works on everything." (On the Milab VM-44) （在我的几乎所有的作品中都有用到 VM-44 这确实是一个了不起的话筒。） John Mayer - Artist - USA （John Mayer-艺术家-美国） VM-44 for snare when playing live. （现场拾音用 VM-44） Kavi Alexander - Engineer - Ceylon/Sri Lanka （Kavi Alexander-音响工程师-斯里兰卡） Legendary recording engineer who won a Grammy for Ry Cooder's A Meeting by the River using custom built EAR-microphones with Milab rectangular capsules. Also uses other Milab models. （赢得了格莱美奖的 Ry Cooder's A Meeting by the River 的传奇录音师。他使用着 Milab 几个型号的话筒。） Larry Brown - Producer/Engineer - USA （Larry Brown-作曲家/音响工程师-美国） "Milab's LC-25 beats any mic you can buy for twice the price. It’s incredible on vocals when compared with the U87 … superb on acoustic guitar, and I believe better than the KM-88 ... and it wipes out the 414." “Milab 的 LC - 25 话筒的性价比可以胜过任何话筒，令人难以置信的是它要比用 U87 拾 取主唱的声音、用 KM88 和 414 拾取吉他时的声音还要好。” Lars Brogaard - Engineer – UK（Lars Brogaard-音响工程师-英国） (Rod Stewart) "The Milab LSR-2000 we used on Rod Stewart’s vocal during the ‘92 world tour has proved, as usual with Milab products, to be very rugged, withstanding all the knocks and bumps that inevitably occur during live shows. The sound quality is superb. It combined the crisp attributes of a condenser microphone with a dynamic mic’s ability to handle extremely high sound pressure levels and the wide dynamic range present in a close vocal environment. The frequency response of most microphones alters dramatically over its dynamic range, the result usually being that in the 2KHz to 3KHz area the diaphragm produces a peak on transients, which makes a vocal sound unnaturally harsh. The LSR-2000 has no such dynamic related peaks with the vocal sounding smooth and natural over its dynamic range, making the sound engineer’s job that much easier in achieving a controlled mix." "I also used the VM-44 on Rod’s instrument and drum line up and found that it can be used successfully on a wide variety of applications. The VM-44 achieves a frequency response that allows it to be used on a high hat as well as rack toms, on a drum kit and also when close miking guitar speaker cabinets. A versatile microphone indeed." "The DC-96B has been a favourite of mine for the snare drum ... maybe to many peoples surprise." “Milab 的 LSR – 2000 话筒，我们在 92 世界巡演拾取 Rod Stewart 的声音已经证明 了，像通常的 Milab 产品一样，它非常坚固，在现场表演时能承受所有不可避免地撞击和 颠簸。并且声音质量是一流的。它具备了动圈话筒在极高的声压级时的表现和宽动态范围， 又不失目前电容话筒清脆的属性。大多数麦克风在大动态（瞬间超过其动态）范围时频率响 应都会改变，其通常情况下，在 2kHz 到 3KHz 时话筒振膜产生一个瞬态峰值，这使得人 声很不自然。而 LSR - 2000 没有这样的现象，他的超大耐声压级特性在大动态下频率响应 依然平滑，使音响师的工作得心应手更随心所欲。” “我还用 Milab 的 VM – 44 麦克风对鼓进行拾音，我们尝试后发现它可以成功地适用在 各种声源的拾音。VM- 44 不仅可以用在爵士鼓吊镲、TOM 鼓的拾音，在吉他音箱前拾音 也同样适用。它是一个用途非常广泛的麦克风。” “DC - 96B 也是我在拾取鼓声音时使用过的话筒...它会给你一个惊喜。” Lena Philipsson - Artist - Sweden （Lena Philipsson-艺术家-瑞典） Lola - Artist - Hungary （Lola-艺术家-匈牙利） Lon & Derek Van Eaton - Group - USA （Lon & Derek Van Eaton-组合-美国） Louise Hoffsten - Artist - Sweden （Louise Hoffsten-艺术家-瑞典） Magna Cum Laude - Group – Hungary （Magna Cum Laude-乐队-匈牙利） Magnus Johansson - Artist - Sweden (Trumpet player) （Magnus Johansson-艺术家-瑞典） （小号演奏家） Manhattan Transfer - Vocal group - USA （Manhattan Transfer-无伴奏组合-美国） The VIP-50 was used for vocals on the album 'The Offbeat Of Avenues' (1991). （专辑'The Offbeat Of Avenues' (1991).的人声录制用 VIP-50） Mariah Carey - Artist - USA （Mariah Carey-艺术家-美国） Two DC-96Bs for drum overheads. （2 个 DC-96B 对鼓和镲进行拾音） Mark - Artist - Hungary （Mark-艺术家-匈牙利） Martin Taylor - Artist – UK （Martin Taylor-艺术家-英国） (Jazz guitarist)（爵士 吉他演奏家） "I use my Milab mic on all my recordings and live concerts. It's such an essential part of my sound." “我的所有现场音乐会的录音都用 Milab 话筒。它是我的 声音的一个重要组成部分。” Martin uses a Milab DC-96B. （Martin 使用 Milab DC-96B 话筒） Mattias Dalin - Engineer – Sweden（Mattias Dalin-音响工程师-瑞典） (Roxette) "The D-37 is great for close up vocals but is in-fact under-estimated as an instrument microphone. I use it on horns, guitar amplifiers, percussion and toms. When an electret-condenser is feasible, the LSR-1000, LSR-2000 and the LC-25 are great for vocals and instru ments and can handle the high spl’s of brass. When it comes to drums, overheads, hi-hats, percussion, choirs, acoustic guitars, mandolin, strings, woodwinds and brass, the VM-44 is a good choice. The classic DC-96B has a wonderful nearness and warmth. I have used it on most things including drum overheads and tuba. When you start miking things up with the DC-96Bs you wish you had more of them. If you need the extra features of padding and LF roll-off, the VIP-50 is the prime choice." “D – 37 话筒是近距离人声的典范，我也时常把它用在铜管、吉他音箱、打击乐和爵士鼓 的录制过程中。LSR – 1000、 LSR - 2000 和 LC – 25 麦克风是人声和乐器拾音最好 的选择，可以处理高声压级铜管乐器。当涉及到鼓，打击乐，合唱团，吉他，曼陀林，弦乐， 木管乐器和铜管，用 VM – 44 更是一个不错的选择。经典的 DC - 96B 拾取的声音即亲 近又温暖，我用在大多数声源拾音过程中，包括镲等。当你用 DC - 96Bs 拾音时，你会发 现它能反映给你更多的声音细节。如果你需要额外功能同时对低频做调整时，VIP- 50 是最 佳选择。” Mattias Nilsson - FOH Engineer – Sweden （Mattias Nilsson-扩声工程师-瑞典） (Winner of the 2005 Golden Microphone Award) （荣获 2005 年金话筒奖） Swedish engineer living and working in the USA. Uses several Milab mics for both live sound and studio recordings - including the DC-196 and the Milab Drum Pack. 瑞典工程师在美国生活和工作。使用 Milab 为现场扩声和 录音室录音 - 包括用 DC - 196 和 Milab 架子鼓拾音套 装。 Melody Club - Group – Sweden （Melody Club-组合-瑞典） Mainly Milabs when performing live. Custom made Milab vocal mics. （现场表演时主要用 Milab 话筒。并且订制了 Milab 话筒） Michael B Tretow - Producer/Engineer – Sweden （Michael B Tretow-作曲家/音响工程师-瑞典） (ABBA) "It's so good it could be used as a reference microphone. And as I always want to