重庆森林影评（Chongqing forest Reviews）

重庆森林影评（Chongqing forest Reviews） 重庆森林影评(Chongqing forest Reviews) Although I don't want to have an overly conceptual annotation for the Chongqing forest film, I'd like to add some subtle appreciation to the title with my insights. In the forest, the term "impressions" is more and more frequently mentioned in modern life. "Reinforced forest", "cement forest""... In an instant up row upon row of day in and day out. Their appearance continuously expands the urban people's living space, but at the same time it also reduces the urban people's emotional space. Everyone faces N choices in life, but he has no choice in face of emotion. Wong Kar Wai in the eyes of the world and we are not the same (probably because he always wears sunglasses), our world is usually like line waiting for sealing mode, single mineral water, tasteless; Wong Kar Wai's world is: guangguai cans of soda, instant, fresh. But the strange thing is, he said the way the story to some extent with our emotions always produce a subtle chord: Hero of the story we may not have experienced, but we will be with the heroine of a similar emotional experience. The trivial things in everyday life, in Wong Kar Wai's film language, become an emotional expression of interaction with characters, a forced emotional catharsis, a symbolic emotional identity. Canned and masochistic When lovelorn Kaneshiro Takeshi toward the supermarket, the clerk roared: "not expired, you throw it out, you have not thought about cans?"!" When Kaneshiro Takeshi was expired; canned rag man hand to lose when he issued a "decadent saury will expire, meat will expire, even plastic bags will expire, this world and what does not expire" feeling; when no expression of pharyngeal out jar after jar Kaneshiro Takeshi canned pineapple, then start vomiting, spit out to eat, eat and then spit...... When Miss becomes an almost masochistic habit, when memory becomes obsessive over pain, when love becomes a cruel battle to his wound bombing, then everything changed. But Kaneshiro Takeshi's world is always sober. He knew that no one would care about a life without a can. He wanted to be cared for like a can; he wanted to be protected by his scarred heart. Sunglasses and alienation Brigitte Lin never took off his red wide glasses from beginning to end. Because she used sunglasses to defend the city against evil intentions. Golden wig, Red Sunglasses, green windbreaker, white high-heeled shoes. The vivid symbols seem to validate her vigilance against the chaotic and volatile city. Camera to capture the Brigitte Lin standard tough go by like the wind, lonely. She handed the money to a few skilled for her drug trafficking in India the number of money in her face tough capable; Kaneshiro Takeshi flirts a face of indifference "I will not fall in love with you in solitary standard vicissitudes of life"; she did not hesitate in shooting left India at the end of the cold violent drug trafficking; when she woke up to see Kaneshiro Takeshi with her high heels tie wipe the dust when stunned in surprise...... She is alienated from the world, and the world is against her. She wants to be the wind, because this is the version of the bustling city come and go without leaving a trace, she is the passer. When she fell asleep in Kaneshiro Takeshi's room wearing high heels, no one had found in her rush wind shadow, but hides a desire to be loved. Machine model and conjecture The clever and frank Faye Wong was lost in the gloomy forest of Tony Leung. Faye Wong knows Tony Leung's day to day miss to former girlfriend (an air hostess) and knows the lingering old atmosphere in Tony Leung's cabin. She is also deeply aware, carrying Tony Leung Miss weight is that inconspicuous passenger plane model. The barren mold brought Tony Leung's body and mind up to twenty-five thousand feet high. When Faye Wong held it in Tony Leung's room and traveled around the world, would she guess: now he?, Which airport will you park your heart in? And one day, will I ride with him on a certain flight to the country of dreams? From the start in the fast-food restaurant clean glass looking through the glass and Tony Leung's eyes intersection, and replaced with neutral T-shirt heart love T-shirt; then secretly hiding his ex girlfriend a letter to Tony Leung, and the envelope back door key to sneak into the Tony Leung home to clean up the house for him; to the last one airline stewardess a camera spirit appeared in front of Tony Leung frank...... A girl of the ancient spirit demon, the woman is virtuous and generous in Faye Wong's interpretation of a seamless heavenly robe. When Tony Leung put the wet air slowly unfolding in front of Faye Wong, a popular sketch lines I suddenly thought: I have not yet expired this old ticket can get on you the long-awaited flight? Towels and fragile Tony Leung's towels seem to be off the hook forever. Each shot is a close-up of the towel wet look: white towel draped over the window of listless, towel in a corner of the dripping big drops of water. Tony Leung felt his towel was not strong enough, because the towel was always crying when the hostess left. In fact, Tony Leung is wrong, towels are the world's most emotional creatures, because it is covered with dense lacrimal gland. Tony Leung is fragile, because he is like his towel, always so delicate, so rich, so easy to hurt. Because of the sensitive and fragile, because the fragile and unable to extricate themselves. He is always in front of it not to mind taking the trouble wet towel to himself, and his girlfriend not to mind taking the trouble usually hide and seek wardrobe count, not to mind taking the trouble again and again rubbed his wounds, not to mind taking the trouble of self deception...... Tony Leung, like Kaneshiro Takeshi, is a lonely and persistent urban forest. But Tony Leung knows the emotion will have the deadline, therefore he can use coolly to conceal the innermost feelings to lose. But if you really can get thoroughly, that those who love legend is not meaningful at all times and in all countries has become a modern man? Canned sunglasses, machine model, towel From the alienation of the fragile conjecture ...... P.S: it's not a film review, and I don't want it to be a film review. Because Wong Kar Wai's forests are disordered and symbolic. Those vivid signs, like the urban people, disorderly and disorderly inner monologue.