阿多诺文化工业批判理论研究

  密级：分类号：学校代码：10075学号：20160010   硕士学位论文  阿多诺文化工业批判理论研究    学位申请人：刘晓双指导教师：刘东丽副教授学位类别：哲学硕士学科专业：马克思主义哲学院系名称：政法学院答辩日期：二○一九年六月ClassifiedIndex:CODE:10075U.D.C:No.20160010ThesisfortheDegreeofMasterReacheronAdorno'sCriticalTheoryofCulturalIndustry     Candidate:LiuXiaoshuangSupervisor:A/Prof.LiuDongliCategoryofAcademicDegree:MasterofPhilosophySpecialty:MarxistPhilosophyCollege:CollegeofPoliticsandLawDateofOralDefense:June，2019河北大学学位论文独创性声明本人郑重声明：所呈交的学位论文，是本人在导师指导下进行的研究工作及取得的研宄成果。尽我所知，除了文中特别加以标注和致谢的地方外，论文中不包含其他人己经发 表 关于同志近三年现实表现材料材料类招标技术评分表图表与交易pdf视力表打印pdf用图表说话 pdf 或撰写的研宄成果，也不包含为获得河北大学或其他教育机构的学位或证书所使用过的 材料 关于××同志的政审材料调查表环保先进个人材料国家普通话测试材料农民专业合作社注销四查四问剖析材料 。与我一同工作的同志对本研究所做的任何贡献均己在论文中作了明确的说明并表示了致谢。作者签名：匀呱及日期：年Ｚ月＿＿（Ｌ日学位论文使用授权声明本人完全了解河北大学有关保留、使用学位论文的 规定 关于下班后关闭电源的规定党章中关于入党时间的规定公务员考核规定下载规定办法文件下载宁波关于闷顶的规定 ，即：学校有权保留并向国家有关部门或机构送交论文的复印件和电子版，允许论文被查阅和借阅。学校可以公布论文的全部或部分内容，可以采用影印、缩印或其他复制手段保存论文。本学位论文属于１、限制公开□，在年月日限制期满后适用本授权声明。２、不限制公开ｄ。（请在以上相应方格内打“Ｖ”）作者签名：日期：二０（１年＿＜月厶曰导师签名：＿日期：＾＿年ｊ月丄日保护知识产权声明本人为申请河北大学学位所提交的题目为（的学位论文，是我个人在导师指导并与导师合作下取得的研宄成果，研究工作及取得的研宄成果是在河北大学所提供的研究经费及导师的研宄经费资助下完成的。本人完全了解并严格遵守中华人民共和国为保护知识产权所制定的各项法律、行政法规以及河北大学的相关规定。本人声明如下：本论文的成果归河北大学所有，未经征得指导教师和河北大学的书面同意和授权，本人保证不以任何形式公开和传播科研成果和科研工作内容。如果违反本声明，本人愿意承担相应法律责任。声明人：私疚曰期：年／月（日摘  要I摘要文化工业是随着西方社会的发展而产生的，并很快在西方的文化领域占据一席之位。阿多诺作为西方马克思主义的灵魂人物之一，他的文化工业批判理论从根本上说是为了揭露二十世纪人类得以维持生计的境况、文化面临的窘境而提出来的激进的理论。阿多诺的文化工业批判理论与当时的社会现实紧密相连。当时纳粹控制下的德国，处于法西斯的专制统治和思想宣传之中，这些促使阿多诺对文化工业毫不犹豫地进行抵制批判。遭到驱逐来到美国的阿多诺，看到了美国商业文化对人们生活和思想的渗透。而科技和大众传媒的进步恰好为文化工业提供了手段和媒介。作为西方马克思主义学派的一员，阿多诺思想的构成离不开马克思主义。他的文化工业批判理论受到马克思的商品拜物教理论和卢卡奇的物化理论的影响，同时，也从心理学领域结合了弗洛伊德的精神 分析 定性数据统计分析pdf销售业绩分析模板建筑结构震害分析销售进度分析表京东商城竞争战略分析 学说。阿多诺的一生都致力于对资本主义社会文化工业的研究，尤其是在音乐和美学领域。在阿多诺看来，文化工业不同于人们脍炙人口的、服务于群众的大众文化，它是资本主义社会的统治者借助商人的手在工业的流水线上制造出来操控人们的文化产物。对于阿多诺而言，在当时的社会中，用“文化工业”一词代替“大众文化”是很有必要的。文化工业为追逐利润将文化产品整齐划一地制造出来蒙骗消费者，导致大众丧失了反抗精神，文艺作品丢掉了原有的独创性。因此，阿多诺认为大众文化在当代西方社会呈现出了商品化趋向、 标准 excel标准偏差excel标准偏差函数exl标准差函数国标检验抽样标准表免费下载红头文件格式标准下载 化风格、欺骗性许诺等特征。阿多诺看似是在对资本主义社会的文化进行批判，实质上是对社会中政治、经济、科技等进行全方位地批判。阿多诺的文化工业批判理论从文化领域出发，指出垄断阶段的资本主义社会中的种种弊病，增强了人们对个体自主性和艺术独创性的追求。同时，阿多诺的文化批判理论也存在局限性，他对文化工业进行了纯粹批判，对科学技术片面理解。阿多诺文化工业批判理论的影响也不容忽视。如本雅明、伯明翰学派、后现代主义在文化批判理论对阿多诺工业批判理论的批判与继承也是对文化工业理论的补充与完善，也有力地证实了阿多诺文化工业批判理论是文化理论史上的珍贵资料。关键词阿多诺文化工业批判启蒙辩证法河北大学硕士学位论文IIAbstractCulturalindustryemergedwiththedevelopmentofwesternsocietyandsoonoccupiedaplaceinthefieldofwesternculture.AsoneofthesoulfiguresofwesternMarxism,Adorno'scriticaltheoryofculturalindustryisaradicaltheoryputforwardinordertoexposetheplightofthesubsistenceandcultureinthe20thcentury.Adorno'scriticaltheoryofculturalindustrywascloselyconnectedwiththesocialrealityatthattime.Atthattime,GermanyunderNazicontrolwasunderfascistautocraticruleandideologicalpropaganda,whichpromptedAdornotoresistandcriticizetheculturalindustrywithouthesitation.Adorno,whowasdeportedtotheUnitedStates,sawthepenetrationofAmericanbusinesscultureintopeople'slivesandthoughts.Theprogressofscienceandtechnologyandmassmediaprovidesthemeansandmediafortheculturalindustry.AsamemberofthewesternMarxistschool,Adorno'sthoughtisinseparablefromMarxism.HiscriticaltheoryofculturalindustrywasinfluencedbyMarx'scommodityfetishismandLukacs'theoryofmaterialization.Meanwhile,healsocombinedFreud'spsychoanalysistheoryfromthefieldofpsychology.Adornodevotedallhislifetothestudyoftheculturalindustryofcapitalistsociety,especiallyinthefieldofmusicandaesthetics.InAdorno'sopinion,culturalindustryisdifferentfromthepopularculturethatenjoysuniversalpopularityandservesthemasses.Itistheculturalproductthattherulerofcapitalistsocietymanipulatespeopleontheindustrialassemblylinewiththehelpofbusinessmen.ForAdorno,itwasnecessarytoreplace"massculture"with"culturalindustry"inthesocietyatthattime.Inordertopursueprofits,theculturalindustrymakesculturalproductsinaneatanduniformwaytodeceiveconsumers,whichresultsinthelossofresistancespiritofthepublicandtheoriginaloriginalityofliteraryandartisticworks.Therefore,Adornobelievedthatthemasscultureinthecontemporarywesternsocietypresentsthecharacteristicsofcommercializationtrend,standardizationstyle,deceptivepromiseandsoon.Adornoseemstocriticizethecultureofcapitalistsociety,butinfacthecriticizesthepolitics,economy,scienceandtechnologyinthesociety.AbstractIIIAdorno'scriticaltheoryofculturalindustry,startingfromtheculturalfield,pointsoutthatallkindsofmaladyinthecapitalistsocietyatthemonopolystagehaveenhancedpeople'spursuitofindividualautonomyandartisticoriginality.Atthesametime,Adorno'scriticaltheoryofculturealsohaslimitations.Hecriticizestheculturalindustrypurelyandhasaone-sidedunderstandingofscienceandtechnology.TheinfluenceofAdorno'scriticaltheoryofculturalindustrycannotbeignored.Forexample,thecritiqueandinheritanceofAdorno'scriticaltheoryofculturebyBenjamin,BirminghamschoolandpostmodernismisalsoasupplementandimprovementofAdorno'scriticaltheoryofcultureindustry,whichalsoeffectivelyconfirmsthatAdorno'scriticaltheoryofcultureindustryisapreciousmaterialinthehistoryofculturaltheory.KeywordsAdornoculturalindustrycriticalenlightenmentdialectic河北大学硕士学位论文 IV目录绪论·····································································································1第一章阿多诺文化工业批判理论产生的历史背景与理论来源·····························61.1文化工业批判理论产生的历史背景·····················································61.1.1德国纳粹的专制统治································································61.1.2美国商业文化的渗透································································71.1.3科技和大众传媒的进步·····························································71.2阿多诺文化工业批判理论的理论来源··················································81.2.1马克思的商品拜物教理论··························································81.2.2卢卡奇的物化理论···································································91.2.3弗洛伊德的精神分析理论··························································9第二章阿多诺文化工业批判理论的内容·······················································112.1文化工业的内涵············································································112.1.1文化的概念···········································································112.1.2文化工业的概念····································································122.1.3大众文化与文化工业的区别·····················································132.2文化工业的特征···········································································142.2.1文化工业的商品化趋向···························································142.2.2文化工业的标准化风格···························································162.2.3文化工业的欺骗性许诺···························································172.3文化工业的危害···········································································182.3.1抹杀艺术的个性····································································192.3.2大众反抗精神的丧失······························································192.4文化工业批判理论的实质·······························································202.4.1对技术工具理性的批判···························································202.4.2对资本主义社会的批判···························································212.4.3对大众文化的批判·································································22目  录 V第三章阿多诺文化工业批判理论的评价及影响·············································243.1阿多诺文化工业批判理论的积极意义················································243.1.1资本主义社会批判的新视角·····················································243.1.2对个体自主性的关注······························