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韩国经典伦理(Koreanclassicalethics)韩国经典伦理(Koreanclassicalethics) 韩国经典伦理(Korean classical ethics) Introduction to Korean classics 2009-07-03 09:47 Weekend classics of Korean classics "Weekend with the bed" tells the story of the university professor Jun Rong has always advocated sexual love...

韩国经典伦理(Koreanclassicalethics)
韩国经典伦理(Koreanclassicalethics) 韩国经典伦理(Korean classical ethics) Introduction to Korean classics 2009-07-03 09:47 Weekend classics of Korean classics "Weekend with the bed" tells the story of the university professor Jun Rong has always advocated sexual love, think marriage is just a conservative and meaningless system. The friend made a date for him as a best man and met the sexy, open lighting designer, Juan ji. Two first dates, each word not care to chat, drink more intoxicated. I do not know who proposed to the hotel to open the room cheaper than the taxi ride, the two sides will have the first relationship. Open minded Juan Ji do not mind this but love not married man. Two people began to breed a subtle relationship: she married a doctor to material need and then use his money, Jun Rong, for he rented a unit, has become the two people love nest. As soon as she arrived at the weekend, everyone arranged a new house, went shopping, watched TV and had sex. Gradually, afraid of promises handsome Rong confused about this ambiguous relationship. After all, are they a pair of lovers who are cheating on each other, or are they a happy couple? The love film of Korean classics "Love" tells a lonely village, there is a dilapidated two storey building, corrupt years, the floor showing small holes in the barge, this is the peeping window. Upstairs downstairs to see the boy full of SAP lived a beautiful but lonely woman, her husband day and night to do security, take her back to discharge the tool. The peeping boy fell in love with the lonely woman. It's a bizarre episode when women have sex without making positive contact with their husbands. This makes the chance to get the key to the door downstairs boy finally himself like imitation of man and woman in a relationship. When the secret was exposed, the woman was finally moved by the boy's tender and true feelings, and love was like a flame among them. A large number of peeping, masturbation, various postures of sex scenes, making this film are unsuitable for children grading, but "love" partly hidden and partly visible in the political background, makes the film seems to be pursued, although not very mature. In love, the story of extramarital love affair happened in 1980, in the historical context of the massacre of hundreds of democratic civilians in South Korea's Kwangju massacre. The three characters have an affair, a distinctive social identity: the hero is wanted by the student activists, the woman is the daughter of the professor was arrested in the event of Kwangju; and her husband was rushed into her house, her police forcibly occupied. At the end of the film, is the police found adultery, killed after the fugitive Dutch act, women had lower abdomen after the baby lying. The pattern of role identity is enough to make the audience imagine a lot, and the "abandoned baby" may represent the young generation of the Korean political confusion at the moment. Baby grow up, get a young mother's ballet shoes, boy embrace white shoes, stood beside a speeding train, shaking, vaguely see the butterfly like mother wore a white dress dancing in front of him. The green chair of the classic Korean ethical film The green chair tells of a married woman who is over 30 years old, but her marriage life is not very happy, so she often hopes to find a partner. As a result, she was sentenced to 100 hours of social service for having sex with an underage boy, Seo-hyun. Although she is the media pursued, but very low-key, but her relationship with Seo-hyun is not affected, two people actually aimless wandering, went to a small hotel together, day and night and enjoy each other's sex. A few days later Moon-hee began to feel a change, then Seo-hyun and Frence leave, but he found himself reluctant...... Lover of Korean classics "Love" tells the story of a man in a high-rise elevator (Zhao Donghe) and a woman (Hyeon-A Seong) alone met. She is a decent woman. The woman is about to enter the marriage aisle with a lover who has been feeling bored for 7 years. When the man said, "if you don't take an elevator to the three floor, I'll buy you a drink.". "After, began to shake. Women have wonderful feelings about the extraordinary man in the same elevator. Another encounter that day, she began to like the gentle, quiet man who brought her tenderness. She easily fell into the man's emotional vortex and agreed to expect sex...... The sweet and astringent love of the classic Korean ethical film "Sweet and astringent love" is not a pornographic film without a plot. It is actually an erotic movie with a lot of meanings. For the film, any "special" is a way to explore the inner problem of modern urban men and women, sex / sex is the young men and women can not avoid the topic. The film has a complete story, and it involves a very sensitive question: can love between men and women produce love? Go to bed after dating could happen? It can be said that this film is an impact on our sexual love and love view. (in fact, China in ancient times of marriage, sexual love is very similar to this: men and women have not met before the engagement, after marriage is often produced and become their sex, love an
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